#and thinking about how people treat different creators differently

[chaotictarlos]

.

[sainteclectic]

we saw your post about writing whole specifically as a character and not cj (and also fictive stuff influencing perceptions) and we are shaking your hand so so much on that. you get it. whole is just an interesting bug who is only the same person as cj if people decide to write him as such - another system with cccc fictives

just saw this but yesyes agreed! whole is special to me as a person, and the whole i know {and love hehe} is absolutely not cj so I never write the character that way! I can see how people could be uncomfortable with it for themselves, and sometimes the fandom does get a little too far into the parallels. but whole is my beautiful little bug. so

[aerithmybbgmypookiemywife]

Genshin SAGAU where GN! Reader reads a fanfic about them being a sub.

people of tevyat look in horror as a fanfic about you being a sub is released, not knowing you ARE actually a sub. not proofread. also shoutout to @/gameperson23100 (not sure how tags work here im just a tumblr noob so i just did like a twitter thing) they were in my comments on my first post about this and had an idea about a sub reader! i just expanded on it a little :))

Creator! Reader who seems so elegant yet have such an untouchable aura towards them. Everyone praises them for being so mature, for being so calm and collected towards stressfull siturations, everyone fawns over them. Just one glance from their slightly intimidating eyes has their knees trembling. The archons praise them as someone to really look up to, a true pillar of Tevyat.

When fanfictions like the Creator x Reader became popular, there was an unsaid rule that you were the dominant one in the relationship.

So imagine everyones suprise when a book from an anonymous author potraying the Creator as a sub pops up in Inazuma. Yae Miko was suprised this was published unsupervised! She shut it down but it was too late, almost all of its copies were sold! Everyone was baffled at how the author potrayed the Creator, when it came to their duties, the author wrote them perfectly but when it came to the romance between the Creator and whoever the reader is... It was a catastrophe! The Creator? Submissive?? Down on their knees?? Begging?! Getting degraded and liking it?!?!

BLASPHEMY!

People of Tevyat were conflicted at this book, everyone had divided opinions. Some saying that the Creator is a sub, while some saying they are a dom. There are a few people who suggest that the Creator may be a switch but this gets shut down by both sides. It even reached the scholars of Sumeru! With debates turning into heated arguments that escalates into fights.

The archons, except Nahida, were upset at this book as this somewhat taints your image. (although they secretly love the idea of the creator being beneath their feet) The acolytes were also divided and different opinions, with Alhaitham finding it somewhat interesting while Kaeya found it a little hilarious and treated the book like a parody. Xiao on the other hand, had the same opinion as Zhongli, the book may taint your image thus he made it his mission to hunt down the anonymous author. Itto, who got the book from a random stranger he befriended, treated the book like a sacred scripture or a guilty pleasure. He knows it's probably bad but he just can't stop reading it! Wriothesley read the book during tea time, and thought that the idea of the Creator being a sub was possible...

"And that concludes the report on Fontaine." Neuvillette concluded his report. You only hummed in response as you looked around the room. the Archons were there and some acolytes were also present in the meeting. You felt as if they have something they want to ask but is holding themselves back.

'...Is it about the book...? Fuck, why did it have to be so accurate...' you thought.

You cleared your throat, "I'm sure all of you are aware of a certain book going around." you spoke up, their minds started scrambling, thinking that you would be upset and angry that they haven't found the author yet. "Your Grace, we are all working hard to hunt down the author and imprison whoever they are." Zhongli spoke up, you shook your head.

"No need, it's... An interesting book." you told them, you cleared your throat again, trying to ease your embarrassment. That book ended on a cliff hanger too! No way in hell were you going to imprison the author after writing an accurate potrayal of you!

Everyone didn't show it in their face but they were shocked, but even more shocked at how red your ears are while you tried to keep a calm face. Did this mean that you didn't mind the potrayal of the book about you?! Or are you truly a sub?! Do you just like the book?! What is it???!! HOW IS IT INTERESTING??!!? Their minds were filled with unanswered questions.

Word spread to Tevyat really fast, and as soon as they heard that you called the book interesting, it just added more fuel in the debates about you being a sub or a dom. Like two groups in the same fandom fighting for their non canon ship! The book would still be treated like an illegal book, a guilty pleasure.

[sheeezu]

My shifting guidebook.

This is my last post, as melodramatic as I was in my last post, since both the posts I've made on here and reddit i got busy with responding to dms (for those confused check my first post) so i didn't permashift.

Unfortunately i still couldn't respond to all the messages and questions sent to my inbox and dms, mainly because of the different time zones and general laziness from my side.

I appreciate everyone who asked questions, although i felt it's a bit unfair since the answers to very common problems didn't reach everyone, and i want everyone to shift, i want everyone to shift tonight, so i decided i'll make a post to share all my knowledge, whatever i know, sort of like a parting gift.

And this isn't going to be a beginners guide, mainly for people who need a final push, and most importantly, for emergency shifters.

Onto the questions (: Divided into categories, skip through according to your needs :)

Detachment from CR, attachment to DR:

How can i detach from my CR/attach to my DR?

Generally, detachment can be achieved by numbing your emotions in your CR. But first, I would advise you to refrain from extreme and unhealthy detachment, because you'll end up getting stuck in a endless cycle of messing up your CR and not shifting (because you'd have no control over yourself, which would lead to your subconscious getting grounded in the messed up version of your CR; assuming that unhealthy detachment is daydreaming about your DR all day without any sense of where you are, without a strong mindset, when you eventually snap back you'll think even more vividly of your CR)

But- "unhealthy" attachment can be utilised to your advantage, to shift, in a controlled manner.

Pick a day to shift, let it be a weekend. After dusk, only indulge yourself in your DR. (When you're sure you have free time and you won't be disturbed) for me, I hid under the blanket, with a fully charged phone, I spent a portion of the hours listening to subliminals, and a portion of the time scrolling through pinterest with spotify in the background (things that remind you of your DR)

I recommend listening to detachment from CR and attachment to DR subs, and if you are a permashifter, and it's your deadline, go all out.

This is my advice for detachment from CR during the day, during the method it'll be different.

How can I detach from my CR while I'm shifting? I can't divert my attention away from my CR body/mind.

I'm writing in the pov of my own method.

The only way you can let go of the CR while you're shifting is with a calm mind. If you're overthinking about how you're going to carry out your method, whether you'd wake back in your CR, you'll have trouble reaching a detached state.

To detach, first of all, make yourself comfortable, do not try to force yourself into doing something, or laying in a position which makes you uncomfortable. Next, think of thoughts which pushes your CR to the side, your CR is just another reality, and you're the creator of it, treat it like its any other pebble on the road.

Affs: (again, void reality meaning your CR)

"Void reality? Huh, can't seem to remember what that is..."

"It's so peaceful not being in the void reality, going to fix it when I eventually return from my DR" (I vividly remember saying this, if you're a permashifter, make it so it fits your situation)

"..."

(Not saying anything says a lot, fall numb to your void reality and go onto your DR)

Remember, you're not answerable to your CR, its not your boss or captor, it's actually the opposite.

To attach to your DR during the method, in the middle phase of my method, say identity affs until you feel familiarise with your DR self, think of memories, have a small conversation with your DR loved ones, do a small rewind of your DR life in your mind, so you can ground yourself. I won't be going into much details on how to shift by becoming your DR self, my first post says it all.

How to detach from CR body?

Detaching your thoughts is basically detaching your CR body, the 30 second black out state is basically a window to shifting, because when your CR shuts up for a even just a few seconds it will give you the opportunity to divert your attention to your DR, no matter how fidgety you are.

Problems faced while shifting:

Something always itches me when I try to shift, any advice?

Before you're shifting, take a look at you're environmental factors, why are you feeling itchy in the first place?

If it isn't bugs, dry skin, I recall that during the method some symptoms are just itchiness.

Say affs to block off your senses first of all, until then try to control yourself

Affs:

"I have stopped sensing my void reality (CR)"

"I have stopped hearing, feeling, seeing my void reality"

If the need gets overwhelming and you're just starting your method, make yourself comfortable and move a bit, or just itch it, you can still shift.

I always fall asleep when I try to shift, what should I do?

During the day you're going to shift, and you know you're just tired and lack sleep, take a nap during the day.

If you didn't nap, or just generally feel sleepy still, turn my method into a sleep method, by letting yourself fall asleep while you're actively acting, thinking like your DR self (you'll wake up in your DR the next day)

Sleeping is a good tool for shifting, especially if you're starting to doze off while doing your method, you can achieve other states such as sleep paralysis, lucid dreaming or mind awake body asleep state, so don't get discouraged, if you prefer awake methods, there are some subliminals you can use to stay awake.

I always fear or dread shifting while doing my method and back out at the last minute.

(Copypasted from reddit)

Familiarise yourself with your DR, it's not scary if you know where you're laying, who you are, what's next to you and who's going to be in the room.

If you already start acting like your DR self then in theory fear shouldn't be here (why would you be scared being yourself in an environment which is supposed to be familiar to you?)

It also depends upon the kind of fear

Fear of spirits snatching your soul mid shift - listen to safety and protection subliminals (no, I wasn't personally possessed by demons last minute but it will put your mind at ease)

Fear of the unknown - familiarise yourself with your DR and shifting

Fear of symptoms - don't focus on them

Just know that nothing fearful will exist as long as you don't allow it to exist, you're the creator of your reality.

Trouble focusing while shifting.

Once you're even a tad bit detached from your CR, you would have no trouble focusing, because it's only your CR body's mind which is causing you trouble, the semi-void state in my method (when you don't feel your body that much, you force yourself to not have thoughts) is all you need to do to go onto the next phase of your method, and trust me, it'll feel very easy for you.

Prior to shifting, listen to frequencies, subliminals, basically flood your subconscious with your desired affs (calm mind subs, focus subs, general shifting and void state subliminals) when you're shifting, stare at the blackness and think of it as a milky way, like you're stargazing, I don't know why but your hyperfixation allows you to focus; count to a hundred, visualise your DR memories, youll eventually reach a trance state where you're focused and ready to shift. (if you can't visualise, then think of it in the form of a story)

Misc:

For folks with ADHD:

(Copy pasted from reddit)

I'd recommend try listening to subliminal (especially bundles) when you aren't feeling like doing anything or if you think your messing up.

Also try to keep yourself as comfortable as possible, if you can distract yourself in a way you aren't attached to your CR activities, for example watching movies or shows or youtube video which require minimal effort and attention

And im saying this only if you're utilizing a single day for shifting, or practicing LOA

while doing the method, i'd try to use as less time as possible, and if you feel off, then you can open your eyes and try the method after a small break.

Can I shift to-

Yes, yes, yes. You can shift to anywhere your mind can think up of, it really is that simple. You can shift to the past, shift to prevent a certain event, you can shift to a reality with a confusing concept, you can shift to become a chair.

Did you shift to a animated DR? How was it like?

I shifted to a pokemon DR where I studied pokemons for a living, but I quickly shifted back after 2 days because I got bored.

Personally for me I get creeped out of anything that's eerie or out of the ordinary.

So basically I scripted that it'll feel normal and I wouldn't even question it.

So I didn't, and now that I think about it, everything was proper, people had noses it wad 3D and everything, so just this reality except everyone looked unnaturally good and the world's graphic were different. If the entire world looks the same then nothing feels weird.

Your opinion on clones/time period?

I don't really care about clones or what they are, mainly because I believe in the consciousness theory, and the multiverse theory is a subdivision of consciousness theory, you basically let yourself believe there is a multiverse and for that reason it exists.

So in perceptive of the multiverse theory, your "clone" is just a body, which comes under your command or control.

It can't mess up your CR life, it'll make the same choices as you like you would have made if you were present in your CR.

Personally I had scripted that when I shift back I will wake up the next morning, following the night when I was shifting.

So my "clone" was just sleeping.

Secondly, stop stressing over your clone,

It'll just do what you want it to do, or just live life how you'd normally would

If you script your clone is a superhuman for the time you're in you DR, you'll shift back to a parallel reality of your CR where a superhuman lived your life for a while, but if you want you can just shift to a better CR like I did.

...

Those are all questions that came in my mind, I tried looking back into the chats and inbox to find more commonly asked questions or something I didn't clarify in my first post but most other questions had straight forward or a clear enough answer.

I really wanted to expand this post with more sections and questions, but in my opinion my first and this post combined are a lot of their own, I think I clarified a lot.

It's been a week being on Tumblr, and I loved helping people out, everyone was kind and unique in their own ways, I looked through my followers scripts and blogs and I enjoyed everyone's dedication to shifting, and their DRs (btw, I hadn't expected to get so many follows and notes, I'm genuinely suprised even now)

It had been a lovely experience being on shiftblr, in my opinion it's the best shifting, or just generally the best community on the internet.

As much as I would like to stay and blog regularly on here, I have to go back home, I'm permashifting in (from the time this post went up) 7 hours, and this time I'm not staying, so refrain from asking me questions after that, I won't respond, but this post will still be up.

Farewell, I hope your shifting journey conclude today and each of you live happily in your DR, with your well deserved love, respect and peace.

Goodbye c:

(Within the 7 hours, I may be partially active, if there is any question that is truly different and a genuine struggle for you, inbox me, I'll try my best to answer; I may as well post my DR script in my last few hours, since some people asked, remind me if I forget; also not posting on reddit, ive already annoyed the mods so much by breaking several rules)

[foodfightnovelization]

ROTTEN: Behind The Foodfight

Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.

Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."

But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-

It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.

I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.

There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.

That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.

For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.

I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!

[inkykeiji]

you can always take more than nothing

character: bonten!mikey x fem!reader

genre: smut

notes: here’s my halloween piece, only half a month late! still, i hope you can enjoy it! as always, please heed the warnings and stay safe! | title cred: alice in wonderland

warnings: 18+ minors do not interact, public sex/exhibitionism, dom/sub dynamics, daddy kink, size difference, biting/marking, blood, minimal prep, rough sex, teasing, begging, dacryphilia, humiliation, a lil bit of degradation, drugs, toxic relationship

words: 8.6k

synopsis:

Those few remaining scraps of decency you’d both been clinging to have been devoured by Mikey’s growing selfishness, no longer caring about what others might see or think or say—it’s not like anyone’s dumb enough to do anything about it anyway; it’s not like anyone has enough of a death-wish to try. He’s the motherfucking Boss. And the Boss gets what he wants, where he wants, when he wants, always. 

The music is loud, so loud the walls seem to be breathing with it, bleeding with it, flashes of neon pouring over the frosted mosaics of glass and marble. 

A party, thinly veiled as a corporate event. 

There are people everywhere, scattered across every surface, crystal glasses filled with expensive liqour and cocktail concoctions glittering in their palms. You barely know any of them. 

They’re all supposed business partners, allies and associates, ‘friends’ of your Daddy. Not that it matters all that much to you; they aren’t allowed to say a word to you anyway. 

Your eyes scan the expanse of the club, on the hunt for a familiar face. Takeomi is in the corner, obnoxiously blowing smoke into some of the higher end girls’ faces. He’s really taking his role of The Caterpillar earnestly. 

Good. You told him it suited him.

At your request (AKA at Mikey’s demand), the top members of Bonten have dressed up as Alice in Wonderland characters, donning an impressive group costume. You’ve been taking the whole thing pretty seriously—beginning your extensive planning in August, drafting up designs and taking everyone’s precise measurements to have each outfit custom made to their exact frames—which means the rest of Bonten has been taking the whole thing pretty seriously, too. 

Not that any of them mind. 

What Mikey’s little angel wants, Mikey’s little angel gets. It’s standard protocol, really; you’re merely an extension of the Boss and thus must be treated as an extension of the Boss, and Mikey’s best men have no issues complying. 

Sighing, you rest your chin in your palms, sombreness souring your features. An ache, dull and dense, settles in the pit of your chest. It’s a desolate sort of longing, a gentle but constant gnawing that cannot be sated by anyone or anything other than it’s creator, something that weights your lungs and heavies your heart and stalls your breath, a vital part missing.

You miss Mikey.

You miss Mikey, but you know this ‘event’ really does have some sort of business significance; that, while it’s mostly an excuse to get drunk and high on Halloween night, it also serves as the grounds for some sort of meeting or negotiation or proposition—you can never be sure which, with Bonten. 

You aren’t allowed to know. You’re lucky to be here at all.

But you miss Mikey.

You shouldn’t be selfish. You know you shouldn’t be selfish; he’s already stretched so thin between so many obligations and obituaries, and you shouldn’t add to that strain. You won’t add to that strain. You’ll sit here, pretty and perfect like his precious little princess should be, and you’ll wait, patiently, until Daddy has a moment to spare you. 

He always finds a moment to spare, no matter how many duties and commitments he has. He always finds a space for you in his day, even if he has to carve it out with his bare hands.

So you mustn’t be greedy. You will be good. For him, you’ll do anything, no matter how difficult. 

“No frowning, miss Alice,” Sanzu chastises through a stretched grin, wide and carved into his cheeks—a smile so sharp, so sinister it puts the true Cheshire Cat to disgrace. 

He swims into your vision, teeth glinting with teals and fuchsias, an intricately wrapped box in his palms. Tugging on the ribbon a little, he unboxes it to reveal a wealth of small confections, individually wrapped in colourful foils.  

“Look, your favourite kitty brought you some chocolate.”

That brightens your mood a little—a sugar fiend, just like your Daddy is—and your mouth drops open expectantly, cute tongue unfurling in invitation. 

Sanzu rolls his eyes but places a truffle on your tongue anyway, pressing it down on the slick muscle and forcing your lips to close around his first knuckle to suck the treat free from him, laughing at the way your face twists.

Pervert. 

His nails taste like blood—not that you’ve come to expect any less—but the rusty copper is quickly eradicated by sugar, a content little hum vibrating around the melting chocolate.

“Good, huh?” Sanzu asks around his own chocolate, shuffling a gold box of expensive Italian truffles in his palm as he picks through them, confections jumping perilously with the motion, shimmering wrappers catching in the flashing neon strobes. “They’re imported.”

“Where’d you get those?” you ask through strings of caramel and cocoa, welding to your molars. 

“A little Halloween treat courtesy of Mikey,” he says dutifully, jostling the box in emphasis. “And an apology, for taking longer than expected.” 

Warmth blooms in your chest, swelling with your heart and stretching your ribs. The last few remnants of displeasure fade from your face, giving way to a small smile.

How very Mikey of him, to send his second in command armed with artisan chocolates and a short, sweet explanation; something he knew would make you smile, something he knew would alleviate some of your impatience, a reassurance that he misses you too, that he’ll be back soon, that he’s thinking of you. 

“There’s our pretty girl,” Sanzu teases, but his own grin has softened a little, the glint in his eyes dulled to a twinkle. “No more pouting, ‘kay? Your trusty Cheshire Cat will be by your side until your Hatter returns.”

Ah. A polite way of saying that you’re stuck with him until Mikey’s finished his work, no ifs, ands, or buts about it.

That takes longer than either of you expect, though, Sanzu’s plan of entertaining you by leading you, hand-in-hand, around the club to assess each Bonten member’s costume not nearly as lengthy as he had anticipated. 

Because it only takes a mere twenty minutes or so to examine all of them, with you near instantaneously deciding that the Haitanis have won the make-believe costume contest you and Sanzu had been holding between yourselves. 

Sanzu had agreed—everyone looks impeccable in their custom-made costumes, tailored specifically to them at your behest, but no one had any hope of eclipsing the Haitanis in their form-fitted pinstriped suits, each stitch and thread molded flawlessly to their frames, perfectly pressed collars embroidered with Dee and Dum in shimmery purple thread, powder blue bowties immaculately symmetrical around their tattooed necks. 

Now you’re back at the bar, Sanzu’s shaky fingers sifting through the box of truffles as he searches for something, anything, to distract him from the way the blood in his veins is beginning to dry up, the way his capillaries are withering, brittle and thirsty, the way his skin is beginning to itch.

Because he can’t do a goddamn thing about it. Not yet, anyway.

No narcotics when he’s chaperoning you; that’s a hard rule. That’s a rule that’s been sewn into the tissues of his brain so tightly it’s interwoven with his synapses. That’s an execution rule; a one time only rule—breaking that rule will get him fucking killed. 

But you’re both starting to become a little bit restless. 

“Come on,” you’re begging, word dragged across your tongue in a petulant whine. “Just one more chocolate?”

“I said no,” Sanzu snaps, eyes hard. “Mikey said three. Mikey’s the Boss. Whatever Mikey says goes; Mikey’s girl, Mikey’s rules!” 

“You’re no fun,” you huff, forehead scrunching with a pout. 

“Yeah, and that’s why he sticks me with you,” Sanzu says, though he sounds almost proud, as if it’s an honour to babysit you, a title of high esteem. “Because I can resist your tricks.”

“My charms,” you correct.

“Whatever,” he waves a hand. “It’s all semantics. Point is, I know how to say no to you, unlike a few certain someones.” 

Unimpressed ice blue eyes sweep across the venue, hovering pointedly on the faces of his colleagues—Kakucho, the Dormouse; Kokonoi, the White Rabbit; Rindou, Tweedle-Dum.

Your eyes follow his, and you smirk to yourself. Kakucho is the easiest out of those three; Kokonoi sometimes deceives you, allowing you to do as you please only to tattle to Mikey later, and Rindou always demands some sort of payment, claiming it’s only fair that you give him something he wants in return. 

Turning back, you’re about to respond, something bratty and bitter simmering on your tongue, when a pair of hands and a smooth voice cuts you off. 

You’d know that touch, that tone, anywhere.

“Pray, tell me, Miss Alice,” Mikey murmurs in your ear as he slinks up behind you, palms curling around your hips and pulling you back toward his chest. “Why is a raven like a writing desk?”

“Because it can produce a few notes,” you answer dutifully, head tipping back against his shoulder to glance at him through the corner of your eye. “Though they are very flat.”

“Correct,” he responds. “My, what a smart little girl you are.”

It’s soaked in condescension, compliment drawled out through a supercilious smirk, breath wafting across your face sweltering and saccharine. 

“Do I get a reward, Mister Hatter?” you ask, sweeter than sugarcane, batting eyelashes framing hopeful, dewy eyes. 

A hum vibrates on his tongue, onyx gaze apathetic and appraising as it glides across your features slowly, thoroughly, pulling each of your thoughts apart and putting them back together again. 

Your head rolls to the side, over his protruding collarbone, to stare at him more resolutely. And God, it’s the way you’re looking up at him, eyes glazed with dedication, with devoutness, like you want to fucking devour him. 

Like you want him to devour you. 

Hips pushing back, you rub your ass into his cock in inconspicuous little motions, lashes fluttering a little, back arched in a perfect curve and tits on full display. 

From this angle, there’s no way he can’t see right down your dress; there’s no way he can’t see the red lace of your bra straining against supple skin as your chest rises and falls with gentle breaths, no way he doesn’t notice the very tips of your nipples, cheekily peeking out from beneath the delicate material with each swell of your breasts. 

Bony fingers flex on your waist, and he huffs out a smirk.

His ebony pupils are enormous, blown wide and gaping, gnawing away at the whites of his eyes. 

He’s high. 

It’s evident in the milky film of artificial ecstasy lacquering his gaze, doped up and hazy, but it does nothing to dilute the potent love he has for you, melting his stare to something soft and sticky, pouring past his lashes.

He’s feeling good tonight.

“I think I know what my little girl wants,” one hand flattens against your stomach, holding you flush to his body as the other slides up your ribs to cup your breast, filling his palm with it and kneading, slow and deliberate, simply enjoying the feeling of you. “And it is very naughty of her.”

“Oh, really?”

“Mm,” he hums, head drooping to nose along the curve of your neck. “Really.”

His lips brush along your skin as he speaks, his voice barely more than a gentle vibration along the column of your throat, and you whimper a little, fingers curling around his wrist and pressing him closer.

“A-And what’s that?”

“Aw, can’t you guess?” he tuts his tongue. “And I thought you were smart. Must’ve been mistaken. Where’s my smart little girl gone now?”

Grip firm on your waist, his hips rut forward, hard cock prodding at you through the layers of tulle. A discontented little sound vibrates in your throat as you squirm a little—and oh, he knows what you’re whining about, greedy girl, knows that you can barely feel his cock through the thick petticoat, knows you want more—and he presses his hips further forward, grinding harder into your ass.

“Daddy—Da-Daddy, it’s—” 

“What?” he shoves again, stronger this time, teeth nipping at the skin below your ear. “Hm?”

“Your cock is hard,” you nearly whine, pushing back against him in a pitiful little wiggle, desperate for more friction. 

“And who’s fault is that, huh?” 

The hand massaging your breast gives a final squeeze before his fingers find your nipple, pinching it through the material of your dress and bra, then rubbing the heel of his thumb over it in hard, rhythmic motions. 

“Is your pussy wet?” he huffs the question into your ear, his hot breath procuring shivers. “I bet it is, naughty girl. Daddy wants to feel it.”

“Please, please,” your hips buck a little, punctuating your pleads, chest pressing into his touch.

“Please? Please what?”

“Touch me, Daddy, touch me, touch me.”

Slender hands slip beneath the puffy layers of lace, calloused fingertips rough as they skim up your smooth thighs, outlining the silk ruffles of the bloomers he bought you specifically for this costume. 

Your hips twitch slightly, legs spreading instinctively as his fingers trail along the scrunched hem to the apex of your thighs, pressing two into the rapidly dampening material. Pensively, they caress your slit through the material, prodding your hole just a little before rubbing two slow, hard circles into your clit.

“Christ,” he breathes out, curse splintering at the end. “You’re so fucking wet baby, and I’ve barely done anything yet.”

His palm flattens against you, all four fingers dipping into your core nearly to the first knuckle and then curling, the heel of his hand grinding against your clit, and your pelvis cants reflexively, almost as if you’re attempting to draw his fingertips further in. 

“How are you this wet already, huh?” he keens, voice straining beneath his own desire. “Been thinking naughty thoughts?”

“Jus’want your cock,” you slur out honestly, hips gyrating in pathetic little circles, an embarrassing attempt to follow his touch. 

“Oh, yeah? That’s all it takes, eh?” he rolls your clit between his thumb and his forefinger, nonchalantly toying with it as he mulls. “Just my cock?” 

“Uh-huh,” you nod blearily. “Uh-huh, uh-huh.”

“Cute,” Mikey spits, the compliment sheathed in venom, “how utterly stupid just the thought of my cock makes you.” 

His fingers clamp down on the swollen nub and tug, your whole body jolting with the pain, a yelp hitching in your chest. 

The arm wrapped around your waist tightens in response, holding you close, holding you still as he humps away at you, sloppy and uneven.

“Oh, baby,” he murmurs, fingers tweaking your clit in rhythmic motions, sparks of pleasure chased by shocks of pain. “You’re so fucking easy for your Daddy, aren’t you? So quick to get soaked for him, so quick to get ready for him, such a good little slut for him, yeah?” 

His voice is gravelly, letters wispy around the edges despite fact that he’s nearly shouting over music. Another rush of heat surges between your thighs, and he laughs, dark and dangerous. 

Your clit throbs in his touch, the silk of your panties drenched all the way through, aiding his fingers in their slippery motions—several small, fast S gestures, followed by a few firm strokes of your slit, fingertips gliding over your folds with ease. You’re so soaked, whole cunt now outlined by the shimmery material, molding to your folds and enabling him to feel every dip, every bump, every crevice, another chuckle dripping from his lips as your little hole clenches around nothing.

“Daddy,” you whimper, thighs squeezing together tightly as you attempt to fuck his fingers. “Daddy, I—I can’t—I need—” 

“Shh,” he hushes you, lips caressing the curve of your ear. “I know, baby. Daddy knows what you need.” 

A palm wraps around your wrist as Mikey mutters something about going somewhere a little more private, pulling you along behind him and leading you toward those purple velvet VIP couches, empty and roped off in a darkened corner. 

“What are we—” you begin as Mikey collapses heavily on the couch, knees spread wide open, hips shifting up slightly as he forces his feet even further apart, getting comfortable. 

C’mere, his lips mime, voice drowning in heavy bass, his chin jutting in the general direction of his straining cock, yearning against pin-striped pants. 

Strong hands curl around your hips and yank you backward, the abrupt motion punching a sound of surprise from your chest as you tumble into his lap, spine pressed tight to his sternum. 

The hinges of his jaw hook over your shoulder, a crude way of keeping you from squirming as he manhandles you into straddling his thighs, hard cock pressing into your core. 

“Holy fuck,” he pants out, the curse damp against your skin. “You’re so wet I can feel you leaking through my pants.”

“Daddy,” you say, and although it’s meant to be a warning, it comes out as a whine, stringy and petulant.  

Because it already feels so good, and he’s already so hard, and you just can’t help but rock your hips back, slow and firm, whimpering a bit as the head of his cock glides over your clit, teasing as the slick, swollen little nub jumps beneath the dull pressure. 

He laughs a little, nothing more than a deep, dark rumbling within his ribs, reverberating against your back.

“You’re so fucking nasty, baby,” he chides lowly, though you can hear the self-satisfied smirk sewn into his voice, tinged with sadism, as he rolls his hips up twice, grinding his cock into your drenched core. “You’re so fucking needy, baby, trying to get yourself off in the middle of this crowded club.”

You are, you are, another little sound escaping your lips as you rut back against him, already beginning to speed up, rubbing the head of his cock over your clit in quick little strokes.

“It’s really precious, y’know, how pathetically eager you are for me,” he murmurs, notes of fondness negating the sting the insult should bring, words gone melty and sweet. “But you gotta stop humping Daddy for a moment, so he can get his cock out and give you what you really want.” 

A disgruntled little whine sounds in your throat, motions stuttering a little as you attempt to stop moving. But it all feels so incredible, greedily unable to quell your hips completely as they rotate in messy little circles, tummy starting to ripple with each graze of his blunt head against your clit.

“Hey,” he warns, sharp and stern, a palm colliding with your bare thigh and leaving a burning handprint seared in its wake, the impact of the slap loud enough to draw a few pairs of eyes. “Don’t get bratty with me, or you won’t get anything at all, you understand?”

Your head’s nodding before the words are even finished leaving his lips—yes, Daddy, of course, Daddy, brats don’t deserve to be filled by Daddy’s cock—desperate to be good for him, to be the best for him.

Because you know he isn’t fucking around; Mikey’s threats are never empty threats, each and every word plucked from his brain with superlative care, heavy and infused with meaning.

It’s terrifying and tantilizing, how easily and instantly he can switch from one mode to the other: from playful to imposing, from Daddy to Leader, a pleasant shiver skittering up your spine, your hole clenching and pulsing as your stomach plummets, gut weighted with a tingling pressure.

It’s a bit of a task, freeing his cock and manoeuvring yourself as you try to inconspicuously sink down on it, but you both manage, your fluffy petticoat of crinoline and tulle providing a decent amount of privacy. 

A hiss slips through the gaps of your gritted teeth as it begins to tear you in two, cute little hole stinging as it strains around his cock, struggling to accommodate his girth, delicate skin splitting itself open for him. 

“That’s it, that’s it,” he breathes lowly, voice vibrating against your ear. “There you go, good girl.” 

An airy little moan spills from your lips as he bottoms out, cockhead pressed snug to your cervix, and you melt back into him, skull knocking against his shoulder, eyes slipped shut. 

“Feel better, princess?”

“Yes, Daddy,” you mumble out dreamily. “S’good, S’right.”

“It feels right, huh?” he chuckles a little, thumbs rubbing fond circles into your hips, his hands all the way up your skirt, slipped beneath the frills and fluff, forearms buried in your dress. “You like it when Daddy fills you up?”

“Uh-huh,” you nod. “Stretches me out real good, makes me feel all stuffed ‘n full.” 

Whole, complete, one. Like everything feels as it’s supposed to again.

And it hurts, because it always hurts, because he’s too thick and you’re never prepped enough, never patient enough, core split open on his cock and little hole aching as it attempts to adjust to him, but it’s so fucking perfect, too. Your cunt spasms around him, hips twitching a little in desperation—like you’re trying to suck him in further, like you’re trying to bury him deeper—and he groans, fingers flexing as he holds you still, nails gorging on your flesh.

“Eager, are we?” 

“S’not my fault,” you mewl, back arching a little as you attempt to push your hips back, squirming a bit in his strong grip. “Need you, Daddy.”

“Is that so?”

Grasp tightening, his hips thrust up, grinding the head of his cock into your cervix in slow, hard motions—back and forth, back and forth, inspiring a dull pang throbbing in your gut. 

Gasping sharply, your hips jerk back in response, automatic and instinctual, pulling a hoarse groan from his chest. 

His clutch turns to near bone crushing, a fractured little cry sticking in your throat, and he forces you to hold still for a moment, muscles in his thighs gone rigid and stiff as his hips press up further and tug you down, frozen, revelling in the way your cunt pulses around him, as if it’s whining for him.

“M-Mikey,” you echo its sentiments, his name a sulky plead on your tongue, brows knit together and lips jutted in a pout. 

“What’s the matter, sweetheart?”

“You know,” you huff out, wriggling a little in his palms, feebly trying to fuck yourself on him.

“Tell me anyway,” he demands.  

Scalding embarrassment pricks your cheeks and you whimper, fidgeting in his grasp again, head shaking in defiance.

“Come on,” he chides, but there are notes of amusement infusing his tone. “Daddy can’t give you what you want if you don’t ask for it.” 

Sharp teeth sink into your shoulder suddenly, your half-formed response strangled by a gasp, Mikey’s jaw tensing as he burrows his teeth further into your flesh, piercing through tissues and snapping capillaries until copper explodes in his mouth. 

He holds it for a moment, all thirty-two of his teeth latched in your skin, ensuring he leaves a full, detailed outline of his mouth etched into you—a signature of sorts—before his tongue flattens against the wound, dragging over it in a single wide lick and sealing it with blood-tinged saliva. A gentle exhale wafts over the bite, cool against the searing pain, and you shudder, chills erupting across your flesh.

“You’re a big girl,” he coaxes over your whimpering, the encouragement steeped in condescension. “I know you can do it. Use your big girl words and tell Daddy what you want.”

Your eyes squeeze shut against the burn of humiliation, lids crinkling at the corners, the softest hiccup catching in your throat, and you feel his cock twitch inside of you. 

“I—I wanna ride your cock, Daddy,” you push the stubborn words from your tongue, trembling and breathy.

“Yeah?” he asks, bloodied tongue tracing along the shell of your ear. “How bad?”

“So bad,” you bleat out, striving to bounce on his cock under the firm restraint of his hands, dewdrops of annoyance clinging to your lashes, glittering in the beams of magenta and teal as you blink rapidly.

“Hm,” he muses to himself, nonchalant as he readjusts his grip, hands constringing, completely halting your pathetic little movements. “It doesn’t seem like you want it all that badly.”

“Daddy,” the word leaves your lips in a whine, scrunched and petulant through your pout, body thrashing beneath his strong grip. “Come on—” 

“Are you sure you wanna be such a naughty little whore in front of all of these people?”

Your body stops its writhing, his words like a slap to the face.

It’s a bit of a shock, to hear it spoken aloud so bluntly, cut and dry and honest, and it sends a torrent of sparks fizzing through your chest to collect dense and tight in your tummy. 

Shame and revulsion sets your skin aflame, the cinders in your gut flaring in response, an intoxicating combination. 

“Yes—”

“Huh? What was that?” he shouts theatrically in your ear. “I couldn’t really hear you over the music.”

“Y-Yes,” you repeat, trying to steady your hiccuping voice, to be stern and resolute, even as tears begin to stream down your cheeks.

“Really?” he breathes, and he sounds astonished, he sounds appalled. “You’re so fucking sleazy, baby. I wonder what all these people would think, if they knew how truly filthy my little girl is...”

“Manjirou,” you weep out his birth name, whole face saturated in frustration.

“Oh-ho-ho,” he chuckles out the word, and it’s vicious. “Graduated to using my full name, now, have you?” he licks at the steadily oozing bite, mopping up more blood with his tongue. “Christ, you do really want it.” 

“I do!” you cry out, struggling against his grasp again, hips bucking in wild, erratic motions. “I do, I do, please, let me ride your cock, please.” 

“What if I made you sit, still and straight like the good little girl I know you want to be, on my hard cock for the rest of the night? Do you think you’d be able to handle it?”

You know he won’t, know he’d never be able to, because he’s just as addicted to you as you are to him, just as desperate, just as eager, just as needy; because even as he holds you motionless, he can’t quite halt the delicate jerk of his hips, rolling up into your core; because you know he wants this just as badly as you do, gets off on the depravity just as much as you do.

Even so, the mere thought of being teased like this, of being forced to hold such a degrading position, is still enough to inspire a rush of agitated tears to flood your eyes, vision gone bleary with despairing desire and rendering the club a bleary haze of glowing neons. 

“No, Daddy, no, I—I just want to ride you, please, Daddy, I c-can’t—” 

You’re nearly wailing now, head thrown back dramatically as your neck twists into an uncomfortable knot, anguished as you try to bury your face in his throat, looking for solace. Your chest stutters as you stammer out half-finished pleads, gone garbled with spit, and Mikey smiles.

You’re starting to cause a scene. 

It’s exactly what he wanted.

“Okay, baby, okay, okay,” he’s pacifying as he feels hot tears soak into his neck, a choked sob catching painfully in your chest. “Daddy’s here, Daddy’s gonna make it all better.”  

And finally, finally his grasp loosens, stiff fingers gone lax, massaging lopsided circles into the rapidly developing bruises left in the shape of their prints. 

“Go ahead, angel,” he urges, nuzzling into the junction of your shoulder, pressing a chaste kiss to the congealing bite. “Ride Daddy’s cock.” 

Then he’s slumping back, settling into the couch cushions and spreading his thighs a little wider, pressing the soles of his boots into the waxed floor for stability and leverage. 

His hands stay on your waist, a gentle guidance, but he allows you to set the pace—a rare occurrence—patient as your hips work up a steady rhythm of quick, shallow gyrations, each swivel dragging his cock against your favourite spot.

And God, you’re so cute when you use his cock to make yourself feel good. It’s a shame that he can’t see your face in this position, can’t see the way your lashes flutter and frame the rolling whites of your eyes or the way your features scrunch so delicately; a shame he can’t hear your gorgeous noises, all your sweet little gasps and pitiful little whines consumed by the blaring music. 

But he can see how your back is bowing, spine forced into a near perfect arc by your building pleasure, bending just a hint more with each brush of his cock; he can feel your palms clutching his knees, nails digging little crescents into his shins and using them for support as your movements accelerate, as you fuck yourself harder, faster, better.

And he lets you have your fun for a little, lays back all languid and lazy and watches through lidded eyes as you play with yourself and use his cock like it’s your favourite toy—because, well, it is—but eventually it just isn’t enough and you need Daddy’s help. 

Just like he knew it wouldn’t be. Just like you always do.

Not that he minds one bit.

Yes, it isn’t enough, because it never is, because you can never manage anything more than teasing yourself when left entirely to your own devices, spritzing kerosene on the dull smouldering in the pit of your stomach as the head of his cock brushes up against that engorged spot inside of you, not nearly hard enough or fast enough to have you anywhere close to creaming on him, merely enough to have your clit throbbing, swollen and neglected. 

He knows you’re beginning to get restless when your hips turn sloppy, tempo starting to falter as your motions stutter, and then you’re looking over your shoulder at him with a beseeching pout, glazed eyes begging him to do something!

So he does. 

He’s straightening up in a split second, hands around your waist tightening as he yanks you back toward his chest, chin hooking over your clavicle again and grinding the sharp bone into your skin.

“Poor thing,” he murmurs against your jaw, mocking and mean. “Can’t even get herself off without her Daddy’s help.” 

“I can’t, I can’t,” you wail over the roar of EDM, head shaking in accentuation. “Need you, need you to do it for me.”

“Of course you do, angel,” he says, as if it’s obvious, as if it’s common knowledge. “But that’s okay—Daddy will make it feel good.” 

That’s the only warning you’re given before his hips are ramming up, rapid and rough and downright ruthless, the abrupt motion slamming a high-pitched yelp from your throat, so pure and genuine and full of lust that it rises above the music, breaks through the heavy bass beat, gathering a handful of glances from a few nearby party-goers. 

So much for being inconspicuous. 

You should’ve known that that just isn’t Mikey’s style. 

They lose interest just as quickly as they gained it, though, going back to their drinks and their drugs, unconcerned. What the Boss does at his own club is none of their business, even if it is on display for the whole venue to see. 

Still, it’s enough for Mikey.   

“Everyone can see you, you know,” voracious black eyes scan the balcony space. “Everyone can see you being such a good little whore for your Daddy.” 

The thought of being watched, of being caught, inspires a whole flock of butterflies to flit around in your tummy, another surge of heat gushing between your thighs, and Mikey laughs. Oh, he felt that. 

Because he’s right; if anyone dared to look a little closer, a little longer, cared to paid a smidge of more attention to the two of you, hidden on one of the velvet couches wedged in the corner of the VIP section with your hips rocking and Mikey’s hands buried in the lace and tulle of your skirt, they’d know exactly what the two of you are doing.

But it doesn’t matter; you don’t care. Neither does he. Why should either of you?

“Do you—Do you think they like it?” you question, and Christ, it’s so precious, that pathetic hope ringing high and clear in your voice. “Do you think they like watching me bounce on their Boss’s cock?”

“Fuck,” the curse fragments in his throat, sharp and pitchy, and he coughs on the shards. “I know they do, sweetheart.”

“Do you think they’re g-gonna go home and touch themselves to the thought of me—of us?”

“Aw,” Mikey coos out in a chuckle, breathless and condescending. “It’s cute that you think they aren’t already jerking off to you on a regular basis.”

Of course they are, you silly little stupid thing; how could they not be? With all the sweet, short little dresses he buys you to prance and twirl around in—the ones with the sweetheart necklines that dip just a hint too low, teasing the swell of your breasts with each of your gentle inhales; the ones with the rippling hems that end just a touch too high, swishing and swaying and flashing with each of your movements, riding up and fanning out to gift them with teasing little glimpses of the lace and satin underneath. 

“You think I don’t know what my—ah, Christ—what my men think of you? How my men think of you?” He tongues a little at the bite, using his front teeth to scrape off a few half-formed scabs, blood rushing to pool in their place. “You think I don’t see the way they look at you?” 

A whine stammers in your throat, your back arching a little more as your cunt quivers around his cock, that drove of butterflies sending your stomach swooping, the organ tensing, tying itself into thick knots pulled tight and taut with each plunge of his cock. 

Mikey laughs again, the sound nothing more than a deep, dense vibration rumbling within his ribs, seeping into your back and sending tingles up your spine. 

“Would you like to see the way they look at you?” 

“H-Huh?” 

Oh, how adorably fucked out you already are, mind gone dumb and numb to everything but him, but his voice and his touch and his steadily driving cock; oh, how adorably easy it is to make you this fucking idiotic. 

“Look over there,” he presses his cheek into yours, forcing your head to turn and follow his gaze. 

Across the club, Rindou sits with an elbow resting on the edge of the bar, a glass dangling from his fingertips. His eyes are cavernous, carnivorous, a smirk smearing across his face as your stare meets his, heavy lids framing a leering look. 

Using a shoulder, he nudges his brother’s stomach, jutting his chin toward you and his Boss in indication when Ran looks down in question, redirecting his attention. 

Now they’re both watching you, with doped up violet eyes and identical sleazy smiles, toothless and worming.

It makes you want to scrub and scratch at your skin, their gazes painting you in a thick coat of grime, body soiled by their lust and left feeling dirty, feeling gross, a strong shiver crawling across your flesh.

Your head jerks reflexively, desperate to hide from their lechery, skull knocking against Mikey’s hard enough to send thorns of pain searing through your temple. 

A yelp cracks in your throat, and Mikey snorts, seemingly unfazed. 

“Aw,” Mikey tuts in false admonishment. “Don’t get shy now. Look at them. Look at them while you ride my cock.”

“M-Mikey—” your eyes shut tightly, a pitiful attempt to escape their invasive eyes, head shaking in little judders.

“C’mon,” he goads, forcing you to face their stare. “You want them all to see, right? How good my little girl is? How pretty my little girl is?”

Peeking through your lashes, you squint at the Haitanis, features teetering on the verge of a wince, as if you’re expecting them to physically strike you. 

They’re still looking at you, wide and unblinking, speaking out of the side of their mouths in laughs and murmurs to one another. 

Dressed in matching pin-striped suits and thick suspenders, Rindou has discarded his jacket, shirtsleeves rolled haphazardly up his forearms to his elbows, first few buttons of his shirt popped undone, revealing a defined collarbone. 

Predictably, Ran is still the perfect picture of poise and elegance, not a single hair out of place, suit jacket square on his shoulders and flawlessly tailored to his body, each stitch outlining his edges.

Tweedledum and Tweedledee respectively, and just as treacherous.

Whatever it is they’re saying to each other, they’re clearly enjoying themselves, amusement playing in glassy irises as Ran rests a hand around Rindou’s neck, slim fingers pressing into plush muscle. His younger brother instantly relaxes into his touch, mollifying back against his stomach and hooking an arm around his thigh, hugging it to his ribs. 

And it’s the way they’re looking at you, as if they’re peeling the clothes from your body and the skin from your bones and peering into the depths of your soul to dance with your demons and devour your secrets; as if they’re singeing your expression into their minds, the sight of your features saturated in perturbation and pleasure branded into the tissues of their brains, carved into the walls of their skulls, ensuring they’ll never forget.

Everything feels overexposed as they pry you apart bit by bit, heady mix of hedonism and humiliation hazing over your brain.

Mikey’s hips slow to a drag, thighs tensing and soles of his boots skidding across marble as he expertly angles his hips and presses up, rubbing the head of his cock over your g-spot in slow, controlled motions—back and forth, back and forth, over and over and over again. 

And the moan that claws at your throat is almost obnoxious, is definitely embarrassing, which means Mikey needs to fuck at least three more from your chest, grunting a little with the effort as his cockhead jabs against that plush spot, hard and precise.

A whine that sounds suspiciously like his title, tangled in spit and weighted with shame, spills from your lips, and you nestle your face against his own even as your hips jolt, desperate for comfort, desperate for cover.

“Don’t pretend you don’t like it,” he nuzzles your damp cheek. “I know you do. I can feel it.”

It’s true, he can—you’re sure he can, with the way your straining little hole keeps pulsing around his length, another stream of heat cascading down his shaft, viscous and wet and so, so much, to pool in the folds of his balls, to stain the waistband of his pants and the velvet of the couch.

But you know he likes it just as much as you do. 

Because you’re both so fucking naughty, so fucking nasty, but the depravity just works to heighten it all, makes it that much better, amplifying every touch and brush and tease and fondle and making it all feel so fucking good, even as Mikey’s pace eases into something unhurried, his thrusts turned languid but powerful.

So you join in, you rise to his challenge, a sick little game the two of you play, a sick little game you force others to participate in—because you’re fucking untouchable.

“Do you think their cocks are hard, Daddy?” you ask, the question dripping with syrup as you roll your hips backwards, slow and purposeful, returning the Haitanis’ smouldering stare through fanned lashes, unblinking and tenacious. 

“Ah, f-fuck,” Mikey’s cock jolts, rhythm stammering for a moment before he regains his composure. “Yeah, baby, I bet they’re wishing they were me right now.”

You bet they are, too, mouths stopped moving and gazes gleaming with want, lips parted with uneven exhales pushed from their heaving chests, entirely enchanted by your movements.

It’s the most affected and authentic you’ve ever seen them before, and it sends a thrill of power shooting through your body, blood left fizzing in its wake. 

One of them reaches into their pocket, groping around blindly for their phone, not daring to spare a second of their attention away from you, and Mikey snarls, nose scrunched in disgust and lip curled in a sneer, baring gritted teeth.

Because that’s too much, that’s crossing a line, and Mikey swiftly redirects your face, effectively hiding your expression from the Haitanis’ hungry eyes. 

Mikey’s always liked to show off. Mikey’s never liked to share.

He swaps shoulders quickly, the defined hinges of his jaw clasped firmly over your collarbone, and smushes his face flush to yours again, skin clammy with sweat. 

“And look over there,” he steers your gaze toward the other side of the club, where Kokonoi sits with a smattering of men surrounding a tall cocktail table, littered with crystal glasses and white lines. 

The men around the table are laughing about something, sloshing liquor and cutting powder into thick, fat stripes, but Kokonoi isn’t paying attention to any of it. 

No. Kokonoi is looking at you. 

His eyes snap away when they meet your own, head whipping forward with such speed and such force it’s a marvel he doesn’t instantly give himself whiplash. A deep laugh rumbles in Mikey’s throat in response, something dark, something decadent. 

“He’s gonna go home and touch himself to you, too,” he says. “He might not even make it before he goes home; might end up jerking his cock in a bathroom stall or the front seat of his car.” 

“How can you tell?” 

“Well, look at him,” Mikey snorts. “He’s so hard he’s about to burst outta his pants.”

Following the line of Kokonoi’s body, your gaze travels downward, to the straining lump in his white pants. His hips shift a little uncomfortably as his thighs tense, hands curled into fists on his knees as he steadily trains his stare forward at the wall opposite of him, throat bobbing with a thick swallow.

Mikey’s right—Koko’s about to burst.

The thought of Koko rushing to his car to collapse in the driver’s seat, head tipped back against the headrest and hand shoved down his pants as his palm rubs frantically at his hard cock, or hastening to the washroom to lock himself in a stall, forehead pressed tightly to the rickety door and panting out stuttered, half-stifled whimpers hotly against his upper lip as he hurriedly relieves the problem you’ve created, is almost too much to bear, stomach clenching in time with the throbbing of your cunt, a torrid pressure building and burning in your gut. 

The sudden acceleration of Mikey’s thrusts snaps you out of that tangle of thoughts, effectively drawing every ounce of your attention back to him.

A mewl pries past your lips, sharp and high and cracking at the end, whole spine arching as Mikey resumes his assault on your favourite spot, cockhead driving hard and fast against plush flesh. 

“They can look all they want, but you’re mine.” His fingers tighten, his grasp rigid and unbreakable, the words nothing more than a snarl spit in your ear, wet and harsh. “I won’t fuckin’ share.” 

“Never, never, never,” you babble in time with the bouncing on his lap, head nodding in sloppy motions with each repetition of the word. 

“Never,” he growls, teeth sinking into the flesh of your shoulder sloppily, excess spit dribbling from the corners of his mouth as he breaks the skin for the second time tonight and sucks hard, drawing blood from the string of tiny wounds.

It has another cry escaping your throat, whole face crinkling in a sordid mixture of pleasure and pain, head instinctually thrown back against your Daddy, automatically giving him more room to work. Drops of watered down blood drool down your back and Mikey takes a moment to admire them, mesmerised by the way they shimmer in the strobing lights of the club, before he licks at them with the tip of his tongue, leaving crude strokes of fresh spit in their wake.

Those few remaining scraps of decency you’d both been clinging to have been devoured by Mikey’s growing selfishness, no longer caring about what others might see or think or say—it’s not like anyone’s dumb enough to do anything about it anyway; it’s not like anyone has enough of a death-wish to try.

He’s the motherfucking Boss.

And the Boss gets what he wants, where he wants, when he wants, always. 

He’s really fucking you now, vicious and vigorous, your entire body juddering in his lap as his hips piston up, cockhead pounding against that sensitive mound of tissue buried deep within you. 

Each thrust shoves another shattered sound from your tongue, splintered moans of his name and his title pouring past your lips in a jagged stream. 

The knot your stomach has twisted itself into strains under the building pressure, growing heavier and heavier with each jackhammer into you, stretched taut and stiff and ready to snap. 

It’s all so much, the ogling eyes and the ramming of his cock and the tightening in your belly, every muscle in your body coiled and aching for the ecstasy that comes with release. Your breath mangles with the mewls shoved from your lips with every slam up, sticking to your throat and you cough, wheezing past the splinters.  It’s all too much, and—!

“M’gonna, m’gonna cum, Daddy!” you gasp, tears dotting the corners of your eyes, sparkling in spidery lashes.  

“Yeah, baby?” he breathes, voice dropping to a ragged rasp. “You gonna cream all over Daddy’s cock? Huh? Make a mess on my cock surrounded by all of Daddy’s closest and most esteemed colleagues?” 

“Yes, yes, yes,” you nearly sob out, palms curling over his wrists, nails clawing at the delicate skin, desperate for an anchor. 

“My dirty fucking girl,” he hisses out, sharp breath stinging your cheek. “Such a good—Ah—good little slut for me, aren’t you?” 

You can no longer respond, rendered stupid from the ardor, potent pleasure corroding your brain and gnawing through your synapses. It’s downright intoxicating, it’s fucking insatiable, it’s simultaneously immense and insufficient, way too much yet not nearly enough, because you need more, you need more, unintelligible pleads shattering on your tongue.

“Yeah, yeah, yeah, baby, gush all over Daddy, make a pretty mess on his lap for him. Show everyone in this Goddamn club how gorgeous you look cumming for me.” 

And so you do, ever your Daddy’s best girl, body eager to obey its owner as your cunt convulses around him, copious amounts of slick cascading down his shaft to drench his thighs, sticky and sharp and so fucking sick as he continues to bounce you in his lap. 

The spasming of your cute little hole draws the sweetest whine from the back of his throat, panted out against the curve of your ear, and another bout of warmth rushes to the apex of your thighs, earning you a shuddered little curse, the exhale sweltering against your sweaty skin.

You sound so pretty right before you cum, Daddy. 

Three more pumps of his hips and he’s following, thrusts stuttering as he fucks up messily into you, cock throbbing almost violently and stuffing you to the brim with thick, hot cum. Strong hands hold you firmly in place, cockhead pressed flush to your cervix as he spills himself into you, as he forces you to take every fucking ounce of what he’s giving you. 

And you love it, you love it, you love it, you’re telling him, sentiments pouring from your mouth in a jumbled stream, singular and continuous until your lungs run out of air, voice cutting off with a squeak. 

“I love you, I love you, I love you,” Mikey’s murmuring into your skin in response, lips leaving smears of sugary saliva just below your earlobe. 

He allows you to sit on him for a moment, chest heaving against your back with ragged breaths, sweaty forehead pressed tightly to your shoulder. Tilting your head, your rest your cheek on the back of his skull, eyes slipping shut as your own heart begins to calm, cunt still pulsating irregularly around his shaft, almost as if it’s attempting to squeeze a few more drops out of him, his cock acting as a crude plug, keeping most of his cum buried inside of you.

Finally, his head lifts, pressing a tender kiss to the blood-encrusted bite glittering on your shoulder. 

“Go get cleaned up in the washroom,” he mutters gently, pressing another string of kisses along your jaw. “Don’t wipe away any of Daddy’s cum; let it soak into your panties real nice and good, let them get really wet, and then snap a few pictures and send them to me. Can you do that for me, angel?” 

“Yes, Daddy,” you slur out, nodding in loose, liquid movements. 

“Good,” he pats your thigh twice. “Now, go.” 

A small noise of affirmation sounds in your throat, head still nodding as Mikey helps you stand between his spread thighs, hands on your waist keeping you upright while you wobble on unsteady legs. 

And the noise that you make as his cum and your slick surges out of you—something caught somewhere between a mewl and a whine, turned on and disappointed simultaneously—is the cutest thing he’s ever heard, a muted coo slipping from his own lips as your hands wrap around his, using them to further stable yourself. 

He holds you for a moment or two longer, making sure you’re sturdy and your knees won’t suddenly give out, before giving you one final squeeze and releasing you, smirking a little as he watches you teeter away on rickety feet. 

Initially, his plan was to have you capture a few naughty photos for him—pretty little things to stash away in his phone for later use, during the nights he’s forced to spend away from you, sitting in expensive cars or laying in lush hotel beds—and force you to wear the gluey, cum-drenched undies for the remainder of the party. 

But then his phone is buzzing, and he’s unlocking it to find your cunt perfectly outlined by thin silk as it sticks to your folds, little clit and hole contoured and accentuated by the slick, shining fabric, soiled by a large, irregular patch of wetness, and oh, there’s no way he’ll be able to wait until you arrive home to fuck you again. 

No, he needs to fuck you now, a sudden burst of adrenaline buzzing through his veins, little sparks and minuscule explosions that have him up and moving in under a second, cock already beginning to fill with life again.

Sheer, potent power permeates the atmosphere around him, trembling off his body in sharp bolts; dense, heavy, cracking with electricity. 

The way the crowd instantly parts for him is awe-inspiring, their gleaming eyes full of terror and worship, hastily tripping over their own toes and ankles to move from his path as he strides toward the washroom, desperate to not be stung by his brilliance, desperate to get as close to the currents as possible without being scathed. 

You’re just exiting the restroom by the time he reaches you, breath punched from your lungs as he backs you into a tiled corner, trapped between the cold wall and his scorching form, his hands splayed wide on either side of your shoulders.

“We gotta go,” he’s nearly panting out as he shoves his forehead against yours, eyes closed and noses nudging, straining cock grinding unceremoniously into your hip. “We gotta go, now.”  

And, well, Daddy always gets what Daddy wants. 

[autistic-ben-tennyson]

Still Salty About the Flanderization of Steven

Many SU fans have had to see these memes and are probably tired of them. I really hate the way people who have never even watched the show and probably just LO’s video flanderize Steven into a bumbling wimp or take scenes like him crying about wanting to be friends with Connie or trying to talk down Spinel out of context. People hate him for not killing his enemies on sight and act as if all he does is talk no jitsu. People act as if he’d die trying to redeem Big Jack Horner from Puss in Boots even though he’s met villains like Jack with Aquamarine and Eyeball and not only did he kick their asses but accepted that they were beyond help. Steven prefers to talk over fighting but isn’t stupid and knows when he has to get serious. Even during his “I can make a change” song that’s twisted out of context, he was still fighting defensively against Spinel. He just wasn’t fighting to kill. As for the meme above, did the creator watch Alien Force? The way Ben handled the Dragon, Reiny and the Highbreed would be pretty similar to how Steven would. The idealistic hero who teaches violence isn’t always the answer has already been done so why does Steven get the most hate for it?

I reblogged a post about this but I really am tired of how TOH is propped up as the anti SU when Dana is friends with Rebecca and praised the groundbreaking work Rupphire did. The Owl House crew doesn’t hate SU and wasn’t doing a “take that” by killing its villain or claiming not everyone can be talked down with a hug. They’re two different shows with different stories and themes. Steven would also know that some like Belos can’t be redeemed and he didn’t actually redeem the diamonds. He didn’t like them and acts uncomfortable around them in Future but he needed them to cure the corrupted gems. The point of the diamonds as well as Andy was not that you have to accept bigoted family members but a wish fulfillment where queer people could get their families to accept them. I saw this on Reddit but I think Steven gets so much hate because he teaches the idea that retributive violence isn’t always the solution and because he got a good life with a loving family, girlfriend and adoration of everyone without being a self centered sexist asshole. Internet Dudebros hate the character who showed healthy emotion, treats Connie as an equal and taught stuff like acceptance, boundaries and kindness, as they hate the idea that they don’t have any of that because of how bigoted, self absorbed or toxic they are.

[writingwithcolor]

Black woman’s skin turns blue from powers; is this whitewashing/erasure?

Anonymous asked:

I have a character in a comic I'm hoping to write one day. She's a light skinned black woman(she's half white if that helps!) living in New York City during an 80s themed post nuclear apocalypse. The comic's main characters are all rock stars, so a lot of the character design elements revolve around the different rock genres. The character in question is in a glam rock band, so there's lots of bright, saturated, crazy colors involved in her design. The problem I'm having involves this one story beat where she gets mutant superpowers that give her electricity and sound based abilities. Her skin turns cotton candy blue as a result of the mutation. I'm hung up on whether or not this might fall under some kind of skin lightening or white-washing trope since it's a fairly light shade of blue. I designed her mutant look before her human look, so this was well before I'd even figured out what race she was, and I simply thought the shade of blue would compliment both the electricity powers and the fact that her hair is dyed pink. Is there a way I could still make this work? Or am I worrying about nothing?

Ideally, it would be nice to keep her brown skin tone. There’s a common comic and supernatural trend where Black people’s skin is covered up by a suit or Black-coded characters are an unnatural color (blue, green, purple, etc).

This is more of an issue when: 

There are no other Black characters of those identities besides the covered up/ ones with unnatural skin colors.

The creator adds this change to make them "special" because they do not believe Black characters, with features commonly associated with Black people like dark hair, skin and eyes, are acceptable enough for the character to stand on their own.

The supernatural special Black people are treated well by the story. The "non-special" Black people have unhappy stories and misfortune.

Other races of characters do not get their skin covered up or changed. Only the Black ones and/or BIPOC in general.

I think a quick fix for this would be for her skin to turn blue when she’s actively using her powers, at random, or other specific times, besides constantly. If she needs to be more consistently “mutant looking” Are there other ways she could change without her skin color changing or changing completely?

People with glitter on skin, light surrounding their face, and blue braids. Images from pexels.

More ideas that keep her skin brown

Hair

Her hair color changes blue or your color of choice (which could include body hair too, which would give her a more “otherworldly” appearance).

Note: If her hair is curly or natural, please keep it so! At least, the powers shouldn't change it straight.

Eyes

Her eyes glowing brighter or colorfully during power-use.

Note: If they're usually brown, they could stay brown when powers not in use, like Marvel's Storm in some versions.

Storm by Marvel Entertainment//20th Century Studios.

Skin and body

Blue patterns appear on her skin.

Blue glow or sheen to her skin without fully changing the color.

Her skin projects color and light.

New growths or changes to body, such as ear shape, wings, etc.

No matter what you decide, please make clear in your tale that she’s a Black mixed race woman. And have fun!

More reading:

How Special is Too Special? The Politics and Characterization of Stacking Special/Abnormal Traits on Mixed Race Characters

~Colette

[carto0ncritter]

People are so desperate for LGBT representation, (specifically gay and lesbian couples), that they're willing to accept literally any homosexual ship regardless of the concerning elements.

Let's see, we have ass ships like

1)Stolitz - Stolas is an abuser, a r*pist, a racist man who has so many powers yet is emotionally fragile, passive and wimpy, a man who victimizes himself over and over, a man who emotionally neglects the child who desperately needs him for his sexual fantasies with his victim, a man who is the creator's pet, a man whose actions aren't wrong according to the writers, a man who can just blame everyone else around him but himself with no consequences

2) Catradora - Catra is an abuser too, but was treated like a cute kitty cat in s5 despite having done atrocious things, she was instantly forgiven with no consequences, and she ended up dating her sister and the biggest victim of her abuse

3) Huskerdust - I haven't talked about this one so far, but Angel sexually harassed Husk and never apologized, Husk himself sang "Loser, Baby" and as a SA survivor I felt like he was trying to say this to Angel: "Oh, you've hit rock bottom because of SA? It's your fault lol, accept that you're a whiny bitch and a loser even tho the problem is extremely serious and out of your control and just suck it up, I'm a loser too despite not going through the same thing you have, you're not alone in being a loser BUT YOU ARE STILL A LOSER BABYYY A LOOOSER" Like, ik the message was supposed to be how we're not alone in our struggles and how there's always someone who will understand and make us feel less alone, but the way this was handled rubbed me the wrong way. Also, I'm not sure whether or not to mention this as well (screw it, I will), but Husk is described as "the old bartender," his voice sounds like it belongs to an old dude too, and he apparently died when he was like, 70, while Angel died in his 30's. I'm not gonna calculate their ages based on how it works in Hell because personally I feel like it doesn't matter. What matters is how old they were when they were alive. But however you decide to look at their ages, it's not just the implied enormous age gap that bothers me, no... it's more so the difference in maturity between Husk and Angel. Husk is described as a dude who has seen and experienced a lot of stuff. On the other hand, Angel is clearly immature and there is this weird... emotional imbalance between them? It's like a mentor dating his apprentice, at least that's how I see it. I'm not saying dating someone who's 40 years older than you is morally wrong (if you're both adults) but IT IS WEIRD imo, especially since Angel & Husk are not on the same page when it comes to life experience and maturity. Oh yeah, I also don't think Angel should be in any kind of romantic relationship... for his own good

[itsrlymine]

Instead of helping people here, you are just being rude to them, you say manifesting is easy but you make it difficult for people by saying a thousand different things. When a person doesn't try the same method as you, you treat them as if they committed a crime. Who are you? Just because you manifest what they want (?) makes people take your words seriously and you like it. If manifesting is so easy, why do they treat you like a god? What, do I have to have a success story that can't even be proven to be true in order to be taken seriously? When people persist for a long time but don't get what they want, instead of helping them, you say "you're not persistent" (even though they are persistent) and this is the funniest thing I've ever heard in my life 😂😂. You just talk nonsense on your account and think you're getting somewhere. I'm also curiously waiting to see how you respond to what I wrote. Now you can have a great time with your followers who worship you. Being rude won't take you anywhere. You're just talking nonsense and bullying people under the name of "tough love". I am manifesting the downfall of you and your ilk. This community really sucks

You're literally dumb as fuck. How have I said a thousand different things? I’m always saying to decide you have what you want bc you are the creator and everything comes from you so whatever “method” you use won’t matter until you know who you are. Then all the methods are free reign.

You sent this long ass paragraph on anon as if you ate me up. I have countless posts on here about how I’ve been helping others and you want to act like I’m being mean to everyone. If you’re mad I gave you a response you didn’t like, ask a better question next time.

What methods have I told people to use that I get upset about if they don’t??? People come here all the time and talk about the different methods they use to get what they want even when it’s not something I’ve done before. Does it matter?? No. They got what they wanted so I don’t care how it happened.

Who tf treats me like a God on this page??? When people thank me for getting their shit, I tell them every single time that they did it, not me.

You’re illiterate as fuck if you think I make people worship me on this page. I constantly stress the fact that all you need to manifest is yourself and no one else. I haven’t even mentioned my name once on here bc it’s not important. What’s important is everyone knowing they can have what they want now bc it’s already theirs.

Being rude has helped me help people in entirely different countries and communities I would have never reached if I didn’t start. Being rude has allowed others to see the power they have within. Being rude got me over 3k followers in a month bitch. Being rude gets my pussy ate and f*cked every night. If you want a successful manifesting blog, just manifest one like I did like??????

I’ve never told anyone they aren’t persistent. You are just a cunt that can’t read.

If telling someone to shut up and stop complaining bc they already have everything is considered bullying…… How tf do y'all survive in life with real people???? You're curious to see how i respond as if I'm gonna cry and tell you not to wish bad on me. You are literally talking shit on anon...... You can't manifest shit for me.

This community “sucks” because you do. Everyone is you pushed out babe💖💗

also who am i?? bitch you know me more than i know you. you're on my page let's remember that. unless revision is difficult for you to understand then my bad.

also happy one month anniversary to this page!!! i love y'all fr!

[thankskenpenders]

Today we got some news regarding a big change for the Ian Flynn's Q&A podcast, the BumbleKast. As outlined in a blog post by Ian, starting in 2025, all Sonic-related questions submitted to the show will first need to be screened by Sega. (I have to assume this is also why Ian announced they'll no longer be doing live Q&As starting next year.)

Frankly, I can't say this is particularly surprising.

While the BumbleKast is ostensibly a podcast about Ian's work as a freelance writer for all sorts of things, and also just a place for him to shoot the shit about stuff he likes, he's still predominantly seen as The Sonic Guy. Sure, he also does a bunch of other freelance work for other series, and original comics like Drogune, and he's also the narrative mastermind for the whole Rivals of Aether franchise these days, but it's his insights into what goes on behind the scenes with Sonic that people really care about. Your average Sonic fan can't just go up to Iizuka or whoever and ask him a question about the current state of the lore, but Ian's inbox is always open.

Because of this, I've thought a lot about the BumbleKast's place in the fandom and The Discourse in recent years. Ian wants to be as open and honest as he can about his work, and I think that's admirable. To me, hearing about creators' struggles and the shit they go through just to get a story out the door tends to make me sympathize with them more. Sometimes a story just doesn't turn out as well as you'd hoped, but you're on a tight deadline and all you can do is move on to the next project. I've even softened a bit on Penders over the years as he's shared more about the absurd situations and odd creative demands made behind the scenes at Archie. Unfortunately, not everyone has that mindset.

Ian's basically always had obsessive haters who were eager to take everything he says out of context to try and stir up shit, but that used to be contained by the niche nature of the Archie comics. Most of the fandom didn't give a shit about what Ian was doing with Sonic and Sally's love life or whatever. Most of the fandom wasn't even reading those comics. But Ian's gone from being a writer for a non-canon spinoff comic, to being the initial lead writer for the first ever canon Sonic comic series, to being the new main writer for the games themselves as part of the official Sonic Lore Team. Way more Sonic fans care about his work now, and when he's so open about his work that makes him an easy scapegoat.

It feels like damn near every week on Twitter Ian's personal trolls have posted yet another BumbleKast clip out of context to rile up the fandom and make it look like he has no idea what he's talking about or like he has some kind of agenda. And, unfortunately, people often fall for this. Of course, it also goes the other way, with people more sympathetic towards Ian taking things he says about Sega and framing them as proof that Sega has no idea what they're doing with the brand. Which, well, let's be real, isn't always the most unreasonable thing to think, given Sonic's rocky history. But I'm surprised it took this long for Sega to start paying more attention to what gets said on the BumbleKast when fans use it so regularly as a source of drama.

I've also often felt that they just need to be WAY more selective about what messages they respond to on the show. Questions Ian can't actually answer due to NDAs, questions that are borderline incomprehensible, "questions" that are really just fan ideas. And the haters, oh, the haters. Ian does not need to put up with angry rants about how he should make SonAmy canon or what the fuck ever. Even if Ian's willing to put up with it, as a listener it can make the show just super unpleasant at times when someone aggressive pops up with an inflammatory question. There have been entire BumbleKast Mini episodes I had to skip because they were just obsessive critics of Ian's paying to grill him on a dozen different things and treat him like an idiot.

But at the same time, I get why the show got to be this way. It's become a part-time job for Ian with multiple new episode a week. Given how piss poor the pay tends to be for freelance writers, I can't really blame him for wanting to keep this secondary stream of income open, and to not have to refund people left and right for rejecting their questions. The man's got bills to pay. (And so does Kyle, for whom managing the BumbleKast seems to have become a full-time job.)

I dunno. The man's got the patience of a fucking saint. I would've quit the franchise if I was in his shoes, with people wishing he would die for shit like minor disagreements over Sonic's characterization or him misremembering an obscure old lore thing. While I do hope that Sega doesn't keep too tight of a leash on him moving forward, and I hope that he's still able to speak his mind about his work, part of me also hopes that having to be much more selective about Sonic questions results in less bullshit like this.

[ask-codeearasure]

So... About that shitty Cross take that one person made....

If you've been following certain creators, even this account, I'm sure you've spotted a specific idiot going around complaining about Cross being Trans-Coded and using Republican talking points to say that it's "forced" or "doesn't make sense" and whatever other bullshit that shouldn't even be looked at let alone acknowledged. HOWEVER, instead, we are gonna sit down and talk about how the Trans Experience is so versatile and why Cross (and similar characters) being Trans-Coded is actually extremely important.

Gender nonconformity is fucking terrifying to Republicans, this is why it's been one of this generation's favorite punching bags.

If you look at the women who are tied to the Republican Party, you see a lot of hyperfemininity, so much so it's easy to tell that Barbie is considering suing them for stealing all her plastic.

Jokes aside, gender affirming care is gender affirming care and they are using the same gender affirming care that trans people have been using for years. This isn't only about nail products and cosmetic surgery, but also breast reduction or implant surgeries.

Gender affirming care however, is demonized by the right because they don't get it nor do they acknowledge that there is a range to it.

I once read a story about how one person had realized they were trans because a friend of theirs pointed out that when they had the option of choosing the gender of their playable characters in gaming, they always went with the gender they were not assigned at a birth. Example being an AFAB person constantly choosing male characters.

Though I have not finished watching Underverse this is applicable of XFrisk and XChara shoving the name "Cross" onto... Cross. They are pointing out he is not Sans despite being assigned that name since creation. Their true intentions here had cruelty in mind, but Cross made the name his own.

He is in denial about it which is applicable to how a LOT of trans people are in denial about it sometimes. Hell I remember a Right Wing talking head on Twitter who had tried to transition, detransistioned due to pressure from their family and then stayed at their assigned gender because of it and falling for the Republican propaganda.

Denial isn't just a river. It never has been.

Some people are in denial about their gender identities and sexual orientation and with the coming presidency we are going to see a rampant uptick in that statistic. With that coming, characters like Cross are needed far more.

Cross's story, as far as I've seen, is rough and follows a lot of self-acceptance and self-advocating storylines. Even when it comes to the biggest things that anyone from the LGBTQIA+ has to face, one of these struggles being the fear of rejection and/or being rejected by one's peers.

From what I've seen when it comes to spoilers is that Cross does end up being rejected by those he was close to before meeting Ink, and thus has to come full circle and accept himself by saying "I am Cross". He has to deny the name he went by in the past. He has to because if he doesn't, he'd be giving in to living in denial of who he truly is and thus be living a life of suffering for no reason than to keep others comfortable, setting himself on fire to keep people who couldn't give a damn about him warm.

A lot of Trans people have to show their rejection of their past or even the acceptance of that past to come to terms with themselves. Each person is different when it comes down to finding who they are and accepting that. It depends on the individual.

Some treat their past and their deadname as though they're a completely different person or someone who died so they could live. Think of a phoenix rising from the ashes.

Others treat it like their past self was the caterpillar where their new and true self is the butterfly.

Is it perfect?

No.

Is Jakei a perfect writer?

No. Neither are a lot of my favorite writers and franchises (I'm looking at you Riot Games and your shitty centrist takes on the worst of human history's sins).

But some of the things that imperfect writers make are beautiful and Cross is one of them. He is one of the few characters that speaks for the writer when it comes to saying "I see you, I see your pain. I see your suffering. You are not alone. You deserve to live your life the way you want to. You are valid."

But there are a few questions that the more clueless of people are going to ask.

Why bring Politics into this? And why do Republicans like the media made by progressives?

The answers are FASCINATING.

I bring Politics into this because Republicans, specifically Cishet white people, have made everything political since the beginning of time. Everything they don't like, everything different from them, everything they don't understand, and everything that directly rebels against their patriarchal idea of "paradise" is now considered "Political".

I remember a Republican had argued the dumbest thing once, and I was so dumbfounded I had to take a step back because holy shit.

Their argument was that black people enslaved each other which made their enslavement by white people their own fault.

Now if your jaw is on the floor, you already know where the problem is. If you don't get where the problem, is let me ask you something.

If that is the case, who was the one who made it all about skin color?

I'll tell you.

It was the white people (who were Democrats before the massive party switch, which makes them modern day Republicans).

Who were the ones who made having jobs all about gender? It was the Cishet white men (99% of whom are Republicans).

Who constantly demonized the LGBTQIA+ community during the Stonewall Riots? Mostly Cishet White Republicans.

Who are demonizing Trans people right the fuck now? Republicans and Pick-Me Gay people who vote for Republicans and side with Republicans thinking that the Republicans will finally accept them when they know Republicans won't fucking do it.

Being LGBTQIA+, making non-white characters, making a character a woman, it makes that character "Political", and "Political" characters are always the ones put on the spot for accusations of "forced diversity" and "perversion" where anyone with a working sense of conscience will understand this is a talking point butthurt Republicans or those warped by Republicans pulled out of their assholes looking for a problem where there isn't one.

All art, be it animation, digital art, traditional art, singing, writing, is political. They've always been political.

Do you want to know why Republicans are always bitching about coffee orders? It's because the Enlightenment era thus leading to the Romantic Era of literature was started because of coffee shops it was where all the best writers hung out. The moment they met each other and started talking to each other, the Enlightenment and Romantic Eras started taking off in full force.

It is because of the Enlightenment and Romantic Era writers we don't have Child Labor anymore. A lot of their writing brought talks of nature and the horrors of Child Labor into question. You can't talk about the history of Child Labor without talking about William Blake's Chimney Sweeper and Elizabeth Barrett Browning's Cry of the Children. You fucking can't. Without Blake and Browning we'd still have children in mines and on rooftops risking their lives to clean your fucking chimney.

And here is where we get to the why. Why Republicans LOVE progressive media.

Here is a little secret.

All shows and media made by Republicans are shit because it is all Propaganda.

I know. Shocker.

Look around.

Mr. Birchum, New Norm, Leo and Layla, it's all propaganda. It's all the same Republican talking points that they never shut up about and even then they don't know what they're talking about.

Ask a Republican what "intersex" means. Do it, I dare you.

They won't fucking know but they'll tell you that it's Satanic and shouldn't be allowed near children.

They'd never guess that it's a spectrum of natural gender nonconformity and mixed sexual/hormonal characteristics such as having PCOS or being AMAB and still having a functioning uterus. They don't care that their delusions about there only being "male" and "female" for reproductive sex options has led to medical malpractice, social abuse, murder, and erasure of intersex individuals, and the ones that do know about intersexuality diagnose it as a "Differential Sexual Development Disorder" as if just being born intersex makes someone's existence inherently wrong with an inherent need for surgical and hormonal "correcting".

Republicans like progressive media because it knows how to say something and still be well written. This is why Republicans LOVE Star Trek, Star Wars, My Little Pony Friendship is Magic, and Arcane.

It's all progressive media but it all knows how to build a world and say something. Good writers are progressive and know how to write.

Don't get me wrong there is a LOT of fucking garbage that tries to be progressive but that is a small outlier that Republicans LOVE to bring out and bash on to say that we're the ones who ruin media. They make false equivalences to try to make you stop thinking. They need stop-thinking clichés and talking points because it's all they have. But they are so fucking terrified of anything different from what is in their stupid bubble that saying "Oh yeah the champion Taliya is trans" will send them screaming and crying.

Yeah, Riot Games danced around the fact that one of their characters is Trans because they knew she'd scare off the entirety of the Republican player base. They had to hide it and use her magical girl skin to gently hint at it with "Yeah when I'm in this outfit I feel more like myself!" and the entire multi hour long Star Guardian album animation having the Trans Flag being the main pallet on everything.

I honestly wonder how many Republicans ran off when they saw THAT CaitVi scene in Arcane.

Republicans just hate anything that isn't Cis, isn't Hetero, isn't a man, and isn't white. This is why it's not uncommon to find that cishet white men are always found at Klan rallies or the modern Klan rallies which are called "Trump Rallies" these days.

This is why a lot of exhausted Democrats, Liberals, and BIPOC, Feminists, and LGBTQIA+ people have been laughing their asses off at the Pick-Mes who are getting fucked over now that they realize that surprise surprise, Project 2025 was the plan! We fucking told you so, dipshit!

This is what you asked for dumbass! We tried to warn you. You didn't listen. LESSON FUCKIN LEARNT!

Republicans like progressive shit because we make good media.

Republicans HATE anything that isn't CISHET and WHITE.

Now, am I saying all this to claim the person who made that anti-trans Cross post is a Republican, an abuser, or anything else that contributed to this systematic nonsense? Absolutely fucking not. That's an extreme statement to make and they're most likely just a very mislead kid who may or may not have been influenced by a couple of these problems, and them acting out the way they did is perhaps a reflection of how important it is to acknowledge these things even if our community is just fandom and the point is to have fun, to have a distraction from all the bad powers at play.

Either way, their actions pissed me off. Hope they learn.

Thanks for coming to my Ted Talk. Get the fuck out.

-- Ouija

[ordinaryschmuck]

I love that The Ghost and Molly McGee's forced cancellation isn't just frustrating to fans of the show but to people in the animation industry as well. They're just as sick as we are about how much studios disrespect animation. They keep looking for the next Spongebob, Simspons, or goodness forbid Family Guy, but instead having faith in the creators and their content, they just...wait. They wait to make a profit and do the bare minimum to market their shows and make them available.

Let's look at Gravity Falls for example. I remember that when Gravity Falls was still airing, you would be able to find out a new episode was coming out based on coming across a commercial by random chance or by the people working the show promoting it online. Add that with the fact that it was on a different channel that required you paying MORE for your cable to get it. It WAS available through Disney Channel, a channel more available at a cheaper price, but the entire of Season Two got moved to the more expensive Disney XD, where Disney shows go to die, because...REASONS. With no warning or announcement. I think I found out about Gravity Falls moving to Disney XD because the trailer played during a commercial break. And that's just the START the show's problems. Mixed in with poor marketing, the show would have a crazy inconsistent schedule, where we'd have four episodes a week, a few months of NOTHING, a few more episodes a week, nothing for a few months, a random episode playing between that nothingness with next to no promotion, and all of that happening to the rest of the show until it finally died a slow death with its series finale where four episodes got stretched out for six months. That...is NOT okay. And it doesn't stop with Gravity Falls.

Steven Universe, OK KO, Ducktales 2017, Amphibia, The Owl House, and now Ghost and Molly McGee are all shows that had similar and sometimes WORSE treatments as Gravity Falls did, where the networks gave next to NO marketing, the creators had to promote their own shows themselves, and the airing schedules were so inconsistent with wildly long hiatuses that only the most dedicated fans were willing to keep watching. General audiences (mainly kids) weren't willing to keep up with shows that had ongoing stories if the episodes stories kept being too spaced apart and never had reruns as frequent as other shows like Teen Titans Go or Big City Greens (Or whatever's constantly on network TV nowadays. I don't know. I mostly watch shit on streaming).

The people of the animation industry is catching onto all of these tricks, and they're getting sick of it. They're getting sick of inconsistent schedules. They're getting sick of trying to bend over backwards in every possible way to make the show they wanted. By either making serialized content as episodic as possible so the network could air it more or by condensing their stories as much as they can, already expecting that forced cancellation to happen sooner than later. And in some cases, they don't even get the luxury of being told their show is ending. Did you know that Inside Job and Paranormal Park both had seasons that were already in development before Netflix pulled the plug shortly after releasing new episodes of their shows? Did you know that The Ghost and Molly McGee was already working on a Season Three before Disney shut that down so they had to force out a series finale that would still be good despite the cancellation? Because it's true. It's ALWAYS true. Creators want to make MORE, but the studios won't let them because they didn't profit off of it. Except they WOULD HAVE if they treated it better.

I want kids to grow up with characters that stick around through their childhood, just like I did with mine. I want kids to have their own Ed, Edd n Eddy, Codename: Kids Next Door, Phineas and Ferb, or Kim Possible. I want kids to watch shows that last more than two-three seasons, stick around for years, and leave an impact as if they have all the time in the world because to them, it feels like they do. I want kids to have a show that ends on a high note because the creators wanted it and not because the networks demanded it. But the unfortunate thing is that it doesn't seem possible nowadays. Because if a mostly episodic show like The Ghost and Molly McGee fails, despite being charming and inoffensive and something most kids will love, the what hope IS left.

[budgebuttons]

There's a lot of reasonably frustrated but ultimately misdirected psa-style posting about how viewers NEED to start reblogging things rather than just liking them because that is the primary mode of post circulation on this site. The modern manifestation of this sentiment seems to miss the fact that, if you've been here for ~15 years, were here prior to, during, and after the exodus to the bird app, you already know that likes have always been more common than reblogs, that many people simply don't want to put your art on their blog, and that guilting end-users into using a microblogging site A Specific Way absolutely does not work. If it did, the trend would have shifted a decade ago. Because this conversation really is that old. Regardless, the modern discourse of how difficult it is to be Seen specifically on Tumblr isn't productive because I think it ultimately misses the reason being an artist online feels so Bad, now.

The social media era has funneled Looking At Stuff on the Internet into an economy of engagement that encourages end-users to treat everything we/they see as quick, cheap, and disposable. This is just another fun and flirty way that capitalism devalues art. It's nothing new. Trying to force masses of users to behave in a way that is healthier for the circulation of art isn't going to do anything to solve the discontent we all feel when we hurl something into the void and it is ultimately ignored. I swear up and down: A higher notes number won't feel better, either. Popularity is just as demoralizing as radio silence, but it manifests differently. Instead of 4 likes and maybe 1 reblog from Old Faithful Mutual, you get a horde of people who treat you like a content machine. You keep hoping for an impossibly Bigger Number. The notifs on the first Big Number Post haven't even settled, and people are already asking when the follow-up is coming. You get anons, but most of them are trying to passively convince you to give them More Content.

It's really, really hard to make people care about art. If there was a silver bullet for making the average person appreciate the enormity of human effort behind every beautiful thing they encounter, we would have found it centuries ago.

The best thing creatives can do for their lives online is to be friendly, or at least kind, with other creators. "Big" artists don't form in-groups because they're snobs. They find each other because they casually showed each other support, and their mutual appreciation for that Thing that wound them up in the same tag becomes a foundation for connection, and in many cases, the ever-illusive Bigger Audience as they introduce themselves to each others' circles. We get more eyes on our work by building community with each other.

Where does that leave people who are just here to look at things, not post them? I think the answer is almost identical: COMMENT!! Please, comment! The first step to engaging with art on a more meaningful level is to point out something you particularly enjoy about a given work. It can go in the replies, it can go in the tags, doesn't matter!! If you notice some symbolism or make some connection, there is all likelihood that OP put it there because they desperately wanted somebody to notice it. Let them know why you like it!

Reaching for the nebulous, impossible goal of better post circulation isn't going to make being a creator online in 2023 suck less. Meaningfully connecting with each other can, will, and does. You can make someone's day just by passingly letting them know that their effort is worth more than a number.

[shorthaltsjester]

god i cannot stop thinking about how much of the struggle with the gods and mortals in downfall is like “if we created these people we are also responsible for them” and a lot of the mess and betrayal that exists is disagreements over what responsibility requires - is it responsibility to abandon a horrid creation? is it responsibility to treat them as if they do not and cannot know any better?

except, unlike all the other deities, the matron of ravens did not have a hand in creating exandria and it’s mortals, and in fact is the only one who had open eyes to the degree of responsibility implicit in her role. and as with all the gods her idea of responsibility is different than all of her siblings’, but i also think there’s an honesty (albeit a very uh . hubris charged honesty - said with deep love for the epitome of weirdo archmages who managed to ascend to godhood) in the way that we see emhira treat mortals as fully in control to such a degree that the gods are founded in their defence of themselves and other mortals from the selfishness of aeor. like her fantastic response to aydin’s claim that they can show the aeorians better by reminding him, dad, that these mortals aren’t scared they’re hating and if you stop them this time but leave behind the knowledge to repeat it, they Will repeat it.

and i mean we still don’t know the true depths of the matron of raven’s reasons for ascending nor do we know the willingness of the previous god of death but there is something so compelling to me that, on top of being the only god who has truly known mortality who Chose to look after the domain that promises the end that affirms mortality, the matron of ravens is not a Creator of mortals the way that other gods are but she might have a deeper or more poignant kind of responsibility for them because she is the one who had the most complete image of what godhood would look like versus the bundles of light that stumbled into the real and found and grasped at whatever purpose they could.

matron of ravens already like . top three exandrian historical figures of all time and laura bailey is doing insane things in the critical role downfall three part special that are ruining my life.

[postcardsfromheapside]

I thought I was done, but no, like Lewis Black I return to shout again.

I feel like a lot of you are upset because Veilguard raised a lot of complicated questions about how history is indeed actually unreliable and religion can be based entirely on a lie, and maybe gods or a creator doesn't exist and the universe could be unfeeling and unthinking and how do you square that with the need to be good people who take care of each other, especially knowing that in the past people WEREN'T and DIDN'T and it makes you uncomfortable.

And it's not the job of the developers to answer those questions for you. They presented them in the form of banter and cut scenes between companions and you are supposed to interrogate that with yourself. In the outside world. The game is merely telling a story. And it tells that story well. The rest of it is literally up to you.

I did see right after release that people were upset about how questions about the elven gods and Harding's questions about the Maker were handled but the game is not obligated to make you feel like there are answers to these complicated topics. You actually have to do some thinking, and some of it applies to the choices in-game, but the rest of it is meant for your own brain.

And even then. Veilguard is ultimately not about these complicated questions, even though they inevitably get asked because they're part and parcel with what the group is dealing with philosophically in the immediate.

Veilguard is a story about a strike force trying to prevent two absolutely insane beings from taking over Thedas, and preventing a third from letting his grief and regret destroy it afterwards.

*Inquisition* was a story about building a religiously motivated army to handle an event no one had any information on, and because it happened in a religious nation at a religious site, it was treated as a religious event. Maybe if it had happened in Nevarra, a Fade expert like Emmrich would have said "wow, so, not so much Andraste but x, y, or z” but that's not what happened, and Solas kept his lying liar's mouth shut and a religious army built itself up and gained political power (by the way Rook has zero armies or clout, Rook is not an Inquisitor) and now a lot of you are comparing two completely different games with two completely different regions and two completely different events.

Why are you comparing religious notes. Why do you care if Veilguard has many fewer mentions of the Maker or lady Jesus. It's literally a different story, about a scrappy bunch of weirdos, and they talk about their relevant religious nonsense *when it matters*.