#and thinking about how people treat different creators differently

[jesncin]

While I am a fan of Captain America and Superman. I feel it's a bit unfair for other fans of them to ignore the fact that they re ultimately products of a time where American patriotism had different connotations and also had different opposition. The MCU, for all it's faults, did tackle how being an American symbol can change its meaning in a time where America is no long the embodiment of "the good guys". I wish more people were open to that and understanding of that. Also, as always, we should note that the creators of Cap and Supes couldn't have the same ideas of immigration and change that we do today especially through the eyes of other cultures.

Yes for both characters! I think it's odd that Cap, who is in something as mainstream as the MCU, is shown to be rebellious and a government enemy but people still want to simplify him as only American Values Hero He's Not That Deep.

What compels me about cape heroes are how they evolve throughout time and respond to the specific histories they were written in. A lot of these characters were created in the war times when morality had to be black and white. The advent of more antihero characters came after the disillusionment of WW2 among many factors. I'll often criticize Superman being written in modern comics as "A Force of Good That Fixes Things" because that's not compelling characterization, but I recognize historically for the old comics that it's likely a bi-product of Jewish cultural coding (the "A Stands for Truth" part of the video is really interesting) and even then he was still more politically motivated than he's sandpapered off to be in the modern day.

That last part too! I see no point in treating the creators of these characters as perfect. We can recognize that as Jewish creatives that they matter, but we can also be critical of them. I'm not shy with pointing out that Superman's creators were racist to Chinese people and that means their "champion of the oppressed" hero can't truly fight for all immigrants. But that's what's great about other writers like Gene Yang getting the chance to write Superman. He gets to evolve and expand what being "good" means.

[happygo-writing]

.

[sainteclectic]

we saw your post about writing whole specifically as a character and not cj (and also fictive stuff influencing perceptions) and we are shaking your hand so so much on that. you get it. whole is just an interesting bug who is only the same person as cj if people decide to write him as such - another system with cccc fictives

just saw this but yesyes agreed! whole is special to me as a person, and the whole i know {and love hehe} is absolutely not cj so I never write the character that way! I can see how people could be uncomfortable with it for themselves, and sometimes the fandom does get a little too far into the parallels. but whole is my beautiful little bug. so

[drchucktingle]

how are you human?

so many interesting comments and thoughts on my post saying buds should consider not coming up to strangers in marginalized groups and saying 'how are you a real person that actually exists?'. i will point out this: despite my VERY gentle tone a few buds said i was having a 'meltdown' for even mentioning it

others said i was being too serious for someone who is ‘not a real person’. so if you would any more evidence of what it is like to be a buckaroo like myself there it is. every day, autistic folks who may seem ‘weird’ are bombarded with messages and comments and implications that they are fundamentally not human beings

sometimes it is outright and blatant like the comments on last post saying ‘well why are you getting mad? you are not even real’ and sometimes it is in the very subtle ways that folks use language when they talk to us. there is huge difference between ‘how do you exist?’ and ‘i am glad you exist.’

anyway, something that i think many people who have not lived this experience dont seem to understand is i KNOW the poster who said ‘how are you a real person that actually exists’ probably meant it as a compliment. that is THE POINT of why i am taking a moment out of my trot to gently and anonymously let them know how it might feel to be on other end of something like this as a queer or autistic or otherwise marginalized buckaroo. it is obviously not their intent to actually hurt someone, so i am letting them know

maybe because queerness and autism are not physically apparent it is hard to explain, but imagine going up to very tall or very short person and saying ‘cant BELIEVE you are real’ as a compliment. not a great way to treat others. on my original post, an indigenous author chimed in with their own experience and feelings similar to my own. a woman who said she was very tall told her story. point is, while i do not have their experience, what i am saying has a universal thread for 'othered' folks

point is: i UNDERSTAND there is this sort of exaggerated or ironic (or maybe even sometimes very literal) language around fandom to say things like ‘how are you a human?’ to creators, but since it is not your intent to hurt, i think you might want to know how that feels to marginalized buckaroos sometimes.

obviously you can say anything you want. i do not hold it against you. also, if you think ‘oh no, did i say something like this to chuck at a convention? i am so embarrassed' then DO NOT WORRY i promise you buckaroo you are just fine. i present myself in a way that is unusual by definition, so i have pretty thick skin about this type of thing and a lot of patience. MANY buds start off thinking i am ‘a joke’ and then become fans over time and i am glad to trot beside them and prove love is real.

however there are other autistic or queer or marginalized buckaroos with smaller platforms who hear this just as much as me, so i think it is important to say it loudly and maybe together we can work on making a very slight shift in the way we speak to the ‘others’ in our lives

we do not NEED to let subtle dehumanization slip into our language. in some cases it has been called ‘micro aggressions’ but i think buds dont often consider what that means for COMPLIMENTS. ultimately, telling marginalized people YOU ARE SO AMAZING YOU CANNOT POSSIBLY EXIST may seem very fun and silly on the surface and for some folks it probably feels that way, but for others it can feel like a reminder of the broader doubt about their humanity. you can just say ‘YOU ARE AMAZING’ without the reminder of the many times autistic or queer or marginalized folks are told in a very serious and pointed way (like comments on the last post) ‘YOU ARE SO WEIRD THAT I HAVE DECIDED YOU ARE NOT REAL’

buckaroos can take this information and apply it to their interactions, or they can ignore it, that is totally fine. we are all trotting our own trots and proving love in our own way and thats okay bud, HOWEVER i feel like it is important to at least let folks know, even if that means getting told i am having a ‘meltdown’. i think it is important to have complex or difficult conversations if it will prove a little more love in the long run. THANK YOU FOR READING BUCKAROOS. i am honored to trot forward with you can tackle this kind of thing with you, and honored you buckaroos have created such an amazing space with me to pull apart these kind of feelings. THIS IS PROOF THAT LOVE IS REAL LETS TROT

[tsunodaradio]

they should call you sugar ⛐ 𝐈𝐇𝟔

isack has a soft spot for you. (or: the one where you think isack can't hurt a fly.)

ꔮ starring: isack hadjar x reader. ꔮ word count: 0.9k. ꔮ includes: fluff, romance. rookies make an appearance. title from tyler, the creator's sweet / i thought you wanted to dance. ꔮ commentary box: people starting to love on isack YUPPP!!! i used to dream of times like this 🙂‍↕️ a quick lil somethin' as part of my soft spot mini-series. 𝐦𝐲 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

The first time you hear about Isack being this formidable, foul-mouthed figure on the grid, you nearly bust a stitch laughing. 

Isack? Your Isack? Screaming over the radio, cussing out in the open? 

What are these people on? 

In all the time you’ve known him, Isack hasn’t raised his voice within your vicinity. Not once. There are a handful of times where he would have gotten away with it, you think. The wrong order at a restaurant after an hour wait. Or that one time you accidentally spilled coffee on his brand new team kit. 

He’d always been patient, level-headed. It was to the point where you felt like you were dealing with an actual angel. 

So, now— when the other rookies try to warn you about his supposedly colorful way of expressing himself? 

“That is not Isack Hadjar,” you say in between chuckles, the words muffled behind your palm. “You’re all being absurd. Isack is an absolute sweetheart.” 

Gabriel actually snorts out his drink through his nose. As Ollie and Kimi rib him for it, Jack nudges you in the side. 

“How does he treat you, then?” the Alpine rookie asks, a corner of his mouth twitching upward in a light smirk. 

“You know,” you stammer. “As he should. Opening the door for me, carrying my stuff.” 

You don’t like the look the boys share. It’s like you’re on the outside of their inside joke, and Kimi is completely unable to hide his amusement. 

“You should call him ‘sugar’,” the youngest snickers, “because he’s just so sweet to you.”

The four share a laugh. You give them a heatless glare before stalking off somewhere else to the paddock. You’d come to surprise Isack on his first day of free practice sessions, wanting to watch your best friend officially kick off his Formula One 2025 campaign. 

The other rookies had spotted you and made a jab out of it, leaving you confused. Isack was nice to everybody.

Wasn’t he?

It’s a good day on track. Isack comes out as top of the rookies in the first session, and finishes at an even better place by the second session. By the time you’re weaving over to where the Racing Bulls are, you’re mildly surprised you haven’t been found out yet. 

Isack texted in between sessions, asking if you’d watched from home. You held back on responding, wanting to make the surprise good. 

In the end, you’re the one who ends up surprised. 

Because Isack— who is yet to see you— is cussing in both languages as he jokes around with his social media team. “I am telling you,” he’s arguing, laughter edging his tone, “the ‘it’s Britney, bitch!’ TikTok will do numbers! Putain, just let me at it!” 

It’s a bit fascinating. Here’s Isack with the people he sees everyday, acting more larger-than-life than you’ve ever seen him. You falter in your steps, feeling a bit out of your depth. Are you welcome here? 

Before you can even consider leaving, maybe acting like you were never here, Isack’s eyes skip over you. 

He does a double take. And then he comes to a full stop, his jaw going completely slack. 

“Ma moitié!”

The nickname he’d given you some time back— my better half— lands like a punch to the gut. You’re frozen in your place until he’s jogging up to you, his expression caught between shock and excitement. 

“What are you doing here?” 

His voice is softer, now. More reverent. It’s a stark difference to how he had been interacting with the others, and it reminds you of the other rookies’ teasing. 

You swallow. Now is not the time for a crisis, you mentally chide yourself. “Are you kidding?” you say. “I wouldn’t miss this race weekend for the world.” 

Isack is positively beaming. He reaches out, his fingers ghosting over your wrist, as if to check if you’re real. When he seems to realize that you are, he actually giggles before tugging you in for a quick hug. 

“I still have to do some more social filming,” he laments. “But I am free after for a— what do you want? A meal? A drive?” 

“Anything, anything,” you say affectionately as you pat the small of Isack’s back. “We’ll figure it out later. Go film, ma moitié.” 

He squeezes you tight before pulling away. His eyes are bright; his smile, a little different from the practiced one he had been donning earlier. You have a suspicion that this smile, this softness, is the real Isack. 

“Okay. Later.” He pauses for a beat, his grin breaking wide across his face. “You can’t just surprise me like this. It’s going to make my heart stop.” 

You laugh. “Wouldn’t want that. Now, shoo!” 

And then— because Kimi had planted the idea in your head— you call out as Isack leaves, “See you later, sugar.” 

Your best friend trips on his shoelaces. 

He throws you a look over his shoulder, his eyes narrowed. It looks like there’s a cuss on the tip of his tongue, but he shakes his head and sticks out his tongue instead. It’s as if he’s physically incapable of swearing at you, no matter how small the offense. 

You wave at him as he leaves. People could say what they wanted, but Isack would always be sweet when it came to you. ⛐

[sheeezu]

My shifting guidebook.

This is my last post, as melodramatic as I was in my last post, since both the posts I've made on here and reddit i got busy with responding to dms (for those confused check my first post) so i didn't permashift.

Unfortunately i still couldn't respond to all the messages and questions sent to my inbox and dms, mainly because of the different time zones and general laziness from my side.

I appreciate everyone who asked questions, although i felt it's a bit unfair since the answers to very common problems didn't reach everyone, and i want everyone to shift, i want everyone to shift tonight, so i decided i'll make a post to share all my knowledge, whatever i know, sort of like a parting gift.

And this isn't going to be a beginners guide, mainly for people who need a final push, and most importantly, for emergency shifters.

Onto the questions (: Divided into categories, skip through according to your needs :)

Detachment from CR, attachment to DR:

How can i detach from my CR/attach to my DR?

Generally, detachment can be achieved by numbing your emotions in your CR. But first, I would advise you to refrain from extreme and unhealthy detachment, because you'll end up getting stuck in a endless cycle of messing up your CR and not shifting (because you'd have no control over yourself, which would lead to your subconscious getting grounded in the messed up version of your CR; assuming that unhealthy detachment is daydreaming about your DR all day without any sense of where you are, without a strong mindset, when you eventually snap back you'll think even more vividly of your CR)

But- "unhealthy" attachment can be utilised to your advantage, to shift, in a controlled manner.

Pick a day to shift, let it be a weekend. After dusk, only indulge yourself in your DR. (When you're sure you have free time and you won't be disturbed) for me, I hid under the blanket, with a fully charged phone, I spent a portion of the hours listening to subliminals, and a portion of the time scrolling through pinterest with spotify in the background (things that remind you of your DR)

I recommend listening to detachment from CR and attachment to DR subs, and if you are a permashifter, and it's your deadline, go all out.

This is my advice for detachment from CR during the day, during the method it'll be different.

How can I detach from my CR while I'm shifting? I can't divert my attention away from my CR body/mind.

I'm writing in the pov of my own method.

The only way you can let go of the CR while you're shifting is with a calm mind. If you're overthinking about how you're going to carry out your method, whether you'd wake back in your CR, you'll have trouble reaching a detached state.

To detach, first of all, make yourself comfortable, do not try to force yourself into doing something, or laying in a position which makes you uncomfortable. Next, think of thoughts which pushes your CR to the side, your CR is just another reality, and you're the creator of it, treat it like its any other pebble on the road.

Affs: (again, void reality meaning your CR)

"Void reality? Huh, can't seem to remember what that is..."

"It's so peaceful not being in the void reality, going to fix it when I eventually return from my DR" (I vividly remember saying this, if you're a permashifter, make it so it fits your situation)

"..."

(Not saying anything says a lot, fall numb to your void reality and go onto your DR)

Remember, you're not answerable to your CR, its not your boss or captor, it's actually the opposite.

To attach to your DR during the method, in the middle phase of my method, say identity affs until you feel familiarise with your DR self, think of memories, have a small conversation with your DR loved ones, do a small rewind of your DR life in your mind, so you can ground yourself. I won't be going into much details on how to shift by becoming your DR self, my first post says it all.

How to detach from CR body?

Detaching your thoughts is basically detaching your CR body, the 30 second black out state is basically a window to shifting, because when your CR shuts up for a even just a few seconds it will give you the opportunity to divert your attention to your DR, no matter how fidgety you are.

Problems faced while shifting:

Something always itches me when I try to shift, any advice?

Before you're shifting, take a look at you're environmental factors, why are you feeling itchy in the first place?

If it isn't bugs, dry skin, I recall that during the method some symptoms are just itchiness.

Say affs to block off your senses first of all, until then try to control yourself

Affs:

"I have stopped sensing my void reality (CR)"

"I have stopped hearing, feeling, seeing my void reality"

If the need gets overwhelming and you're just starting your method, make yourself comfortable and move a bit, or just itch it, you can still shift.

I always fall asleep when I try to shift, what should I do?

During the day you're going to shift, and you know you're just tired and lack sleep, take a nap during the day.

If you didn't nap, or just generally feel sleepy still, turn my method into a sleep method, by letting yourself fall asleep while you're actively acting, thinking like your DR self (you'll wake up in your DR the next day)

Sleeping is a good tool for shifting, especially if you're starting to doze off while doing your method, you can achieve other states such as sleep paralysis, lucid dreaming or mind awake body asleep state, so don't get discouraged, if you prefer awake methods, there are some subliminals you can use to stay awake.

I always fear or dread shifting while doing my method and back out at the last minute.

(Copypasted from reddit)

Familiarise yourself with your DR, it's not scary if you know where you're laying, who you are, what's next to you and who's going to be in the room.

If you already start acting like your DR self then in theory fear shouldn't be here (why would you be scared being yourself in an environment which is supposed to be familiar to you?)

It also depends upon the kind of fear

Fear of spirits snatching your soul mid shift - listen to safety and protection subliminals (no, I wasn't personally possessed by demons last minute but it will put your mind at ease)

Fear of the unknown - familiarise yourself with your DR and shifting

Fear of symptoms - don't focus on them

Just know that nothing fearful will exist as long as you don't allow it to exist, you're the creator of your reality.

Trouble focusing while shifting.

Once you're even a tad bit detached from your CR, you would have no trouble focusing, because it's only your CR body's mind which is causing you trouble, the semi-void state in my method (when you don't feel your body that much, you force yourself to not have thoughts) is all you need to do to go onto the next phase of your method, and trust me, it'll feel very easy for you.

Prior to shifting, listen to frequencies, subliminals, basically flood your subconscious with your desired affs (calm mind subs, focus subs, general shifting and void state subliminals) when you're shifting, stare at the blackness and think of it as a milky way, like you're stargazing, I don't know why but your hyperfixation allows you to focus; count to a hundred, visualise your DR memories, youll eventually reach a trance state where you're focused and ready to shift. (if you can't visualise, then think of it in the form of a story)

Misc:

For folks with ADHD:

(Copy pasted from reddit)

I'd recommend try listening to subliminal (especially bundles) when you aren't feeling like doing anything or if you think your messing up.

Also try to keep yourself as comfortable as possible, if you can distract yourself in a way you aren't attached to your CR activities, for example watching movies or shows or youtube video which require minimal effort and attention

And im saying this only if you're utilizing a single day for shifting, or practicing LOA

while doing the method, i'd try to use as less time as possible, and if you feel off, then you can open your eyes and try the method after a small break.

Can I shift to-

Yes, yes, yes. You can shift to anywhere your mind can think up of, it really is that simple. You can shift to the past, shift to prevent a certain event, you can shift to a reality with a confusing concept, you can shift to become a chair.

Did you shift to a animated DR? How was it like?

I shifted to a pokemon DR where I studied pokemons for a living, but I quickly shifted back after 2 days because I got bored.

Personally for me I get creeped out of anything that's eerie or out of the ordinary.

So basically I scripted that it'll feel normal and I wouldn't even question it.

So I didn't, and now that I think about it, everything was proper, people had noses it wad 3D and everything, so just this reality except everyone looked unnaturally good and the world's graphic were different. If the entire world looks the same then nothing feels weird.

Your opinion on clones/time period?

I don't really care about clones or what they are, mainly because I believe in the consciousness theory, and the multiverse theory is a subdivision of consciousness theory, you basically let yourself believe there is a multiverse and for that reason it exists.

So in perceptive of the multiverse theory, your "clone" is just a body, which comes under your command or control.

It can't mess up your CR life, it'll make the same choices as you like you would have made if you were present in your CR.

Personally I had scripted that when I shift back I will wake up the next morning, following the night when I was shifting.

So my "clone" was just sleeping.

Secondly, stop stressing over your clone,

It'll just do what you want it to do, or just live life how you'd normally would

If you script your clone is a superhuman for the time you're in you DR, you'll shift back to a parallel reality of your CR where a superhuman lived your life for a while, but if you want you can just shift to a better CR like I did.

...

Those are all questions that came in my mind, I tried looking back into the chats and inbox to find more commonly asked questions or something I didn't clarify in my first post but most other questions had straight forward or a clear enough answer.

I really wanted to expand this post with more sections and questions, but in my opinion my first and this post combined are a lot of their own, I think I clarified a lot.

It's been a week being on Tumblr, and I loved helping people out, everyone was kind and unique in their own ways, I looked through my followers scripts and blogs and I enjoyed everyone's dedication to shifting, and their DRs (btw, I hadn't expected to get so many follows and notes, I'm genuinely suprised even now)

It had been a lovely experience being on shiftblr, in my opinion it's the best shifting, or just generally the best community on the internet.

As much as I would like to stay and blog regularly on here, I have to go back home, I'm permashifting in (from the time this post went up) 7 hours, and this time I'm not staying, so refrain from asking me questions after that, I won't respond, but this post will still be up.

Farewell, I hope your shifting journey conclude today and each of you live happily in your DR, with your well deserved love, respect and peace.

Goodbye c:

(Within the 7 hours, I may be partially active, if there is any question that is truly different and a genuine struggle for you, inbox me, I'll try my best to answer; I may as well post my DR script in my last few hours, since some people asked, remind me if I forget; also not posting on reddit, ive already annoyed the mods so much by breaking several rules)

[ghostsandfools]

Okay I’m about to write a LOT of tags-

Also sorry if it sounds like I’m arguing, I don’t wanna argue with you cause you’re my friend- we are having a ✨civil debate✨

That laes episode… WOWZA

It’s becoming increasingly clear how much of an effect the astrals’ indoctrination has had on Lunar. He can’t think of any good reason to get his powers back, but he wants to do it anyways. He hates having powers, he hates how stressful it is, he hates the idea of leaving his family behind, but he wants to do it anyways. He feels like he has to, like it’s his purpose. Even if he isn’t happy, he doesn’t ‘deserve’ happiness.

Why does he have to leave his family behind? Genuinely, why? Because he’ll be too ‘busy’ to see them? Because they could ‘interfere’ with his work? No!

The reason why Lunar can’t see his family if he gets his powers back is because he will be fully indoctrinated into the astral cult. People who join cults often cut their families off or rarely interact with them. Cult leaders don’t want their disciples getting too friendly with outsiders, because they may realize that they’re being manipulated. The astrals don’t want Lunar interacting with his family because they’re worried he’ll get too distracted from their main goal.

The astrals aren’t evil. They may not even be purposefully indoctrinating people. I don’t think Gemini’s goal is to manipulate Lunar or isolate him from his family. Their goal is to protect the universe from dark star power. But that doesn’t change the fact that they have had an extreme negative effect not just on Lunar, but his family as well.

They’ve made him fear for his life, his livelihood. It feels like everything he has could be lost in an instant.

Without his powers, he feels useless. He dedicated himself to the astrals, training himself every day just to become one of them. The idea of losing his powers is so stressful to him that he’d consider leaving his family behind just to pursue becoming an astral.

He asks “Why do I have to make this choice?” And it’s a good question!

Why was he EVER put into this position? The astrals could’ve taken his powers from him at any time. Why didn’t they? Why did Gemini say he was at risk of DEATH after he killed Eclipse? Why didn’t they put him through this torment, why did they threaten him like that? Because they want him to stay loyal to their cause.

[friendly-wizard-bibliothecary]

In Regards to Wyll's Content Disparity

Fandom: Baldur's Gate 3

I don't think some people realize how it feels to be a black gamer in the context of Wyll's content disparity. Intentionally racist or not, the fact that he continues to be overlooked and disregarded by the Devs is really disheartening. As a black gamer (and please note I am speaking for myself and do not represent the wider black gaming community, don't read this as that) I feel just as overlooked and disregarded as Wyll currently is.

Wyll is a great character. I absolutely adore Wyll. But he feels under baked. And this sucks because you see a pattern in media where black characters (especially black female characters, but that's a conversation for a different day) aren't as fleshed out as white characters. They aren't given the same love and care as white or white coded characters and, therefore, the fandom doesn't reciprocate with love and care towards the black or black coded characters. So of course, this reads as people not caring about them, so the writers don't bother to fix them or give them more.

It is a vicious cycle that we see often where they make Wyll, butdon't put as much work into him, so the fandom doesn't like him as much, so they don't think they need to put more work into him. They put more love and care into the white/white-coded characters because that is what the predominantly white fandom wants.

But as they do that, the black fans and the fans that enjoy Wyll as a character are ignored. Their voices are drowned out by the majority and I cannot tell y'all how shitty of a feeling that is. As a black woman, I have constantly been talked over, ignored, had my ideas repeated by a white person and have them take the credit, etc. So seeing Wyll and Wyll fans being ignored, talked over, white counterparts getting the attention sucks.

I get enough of that shit in real life, I don't want to have to deal with that in all my fucking hobbies.

As a black gamer, this makes me feel as if I don't belong in this fandom. It makes me feel like the devs and the writers don't want me in this fandom. It makes me feel like I'm not welcome to play this game, that I'm not welcome to like this character over others, that I'm not able to bring my experiences as a black woman and a black gamer to this game because the main black character is treated like they don't matter. It makes me feel like the writers didn't want to put in the work for this black man and felt like no one would notice or care. That no one but black folks would mind and who cares what black folks are saying?

Again, this is all my opinion and its a bit rambly. I have a lot of thoughts and feelings about this that really is a culmination of various things involving being a blerd and black geek in predominantly white fandoms.

But I think it's important to recognize that people are impacted by this and it sucks for a lot of black folks in white dominant spaces to continue to have to fight for crumbs at the table during Black History Month in 2024. We should have good, fleshed out characters, that are respected and cared for by their creators and by the fandom at large. I really hope Larian puts in the work for Wyll and a lot more people can see how cool a character he really is. He deserves the same amount of love and care as the other origin companions.

[inkykeiji]

you can always take more than nothing

character: bonten!mikey x fem!reader

genre: smut

notes: here’s my halloween piece, only half a month late! still, i hope you can enjoy it! as always, please heed the warnings and stay safe! | title cred: alice in wonderland

warnings: 18+ minors do not interact, public sex/exhibitionism, dom/sub dynamics, daddy kink, size difference, biting/marking, blood, minimal prep, rough sex, teasing, begging, dacryphilia, humiliation, a lil bit of degradation, drugs, toxic relationship

words: 8.6k

synopsis:

Those few remaining scraps of decency you’d both been clinging to have been devoured by Mikey’s growing selfishness, no longer caring about what others might see or think or say—it’s not like anyone’s dumb enough to do anything about it anyway; it’s not like anyone has enough of a death-wish to try. He’s the motherfucking Boss. And the Boss gets what he wants, where he wants, when he wants, always. 

The music is loud, so loud the walls seem to be breathing with it, bleeding with it, flashes of neon pouring over the frosted mosaics of glass and marble. 

A party, thinly veiled as a corporate event. 

There are people everywhere, scattered across every surface, crystal glasses filled with expensive liqour and cocktail concoctions glittering in their palms. You barely know any of them. 

They’re all supposed business partners, allies and associates, ‘friends’ of your Daddy. Not that it matters all that much to you; they aren’t allowed to say a word to you anyway. 

Your eyes scan the expanse of the club, on the hunt for a familiar face. Takeomi is in the corner, obnoxiously blowing smoke into some of the higher end girls’ faces. He’s really taking his role of The Caterpillar earnestly. 

Good. You told him it suited him.

At your request (AKA at Mikey’s demand), the top members of Bonten have dressed up as Alice in Wonderland characters, donning an impressive group costume. You’ve been taking the whole thing pretty seriously—beginning your extensive planning in August, drafting up designs and taking everyone’s precise measurements to have each outfit custom made to their exact frames—which means the rest of Bonten has been taking the whole thing pretty seriously, too. 

Not that any of them mind. 

What Mikey’s little angel wants, Mikey’s little angel gets. It’s standard protocol, really; you’re merely an extension of the Boss and thus must be treated as an extension of the Boss, and Mikey’s best men have no issues complying. 

Sighing, you rest your chin in your palms, sombreness souring your features. An ache, dull and dense, settles in the pit of your chest. It’s a desolate sort of longing, a gentle but constant gnawing that cannot be sated by anyone or anything other than it’s creator, something that weights your lungs and heavies your heart and stalls your breath, a vital part missing.

You miss Mikey.

You miss Mikey, but you know this ‘event’ really does have some sort of business significance; that, while it’s mostly an excuse to get drunk and high on Halloween night, it also serves as the grounds for some sort of meeting or negotiation or proposition—you can never be sure which, with Bonten. 

You aren’t allowed to know. You’re lucky to be here at all.

But you miss Mikey.

You shouldn’t be selfish. You know you shouldn’t be selfish; he’s already stretched so thin between so many obligations and obituaries, and you shouldn’t add to that strain. You won’t add to that strain. You’ll sit here, pretty and perfect like his precious little princess should be, and you’ll wait, patiently, until Daddy has a moment to spare you. 

He always finds a moment to spare, no matter how many duties and commitments he has. He always finds a space for you in his day, even if he has to carve it out with his bare hands.

So you mustn’t be greedy. You will be good. For him, you’ll do anything, no matter how difficult. 

“No frowning, miss Alice,” Sanzu chastises through a stretched grin, wide and carved into his cheeks—a smile so sharp, so sinister it puts the true Cheshire Cat to disgrace. 

He swims into your vision, teeth glinting with teals and fuchsias, an intricately wrapped box in his palms. Tugging on the ribbon a little, he unboxes it to reveal a wealth of small confections, individually wrapped in colourful foils.  

“Look, your favourite kitty brought you some chocolate.”

That brightens your mood a little—a sugar fiend, just like your Daddy is—and your mouth drops open expectantly, cute tongue unfurling in invitation. 

Sanzu rolls his eyes but places a truffle on your tongue anyway, pressing it down on the slick muscle and forcing your lips to close around his first knuckle to suck the treat free from him, laughing at the way your face twists.

Pervert. 

His nails taste like blood—not that you’ve come to expect any less—but the rusty copper is quickly eradicated by sugar, a content little hum vibrating around the melting chocolate.

“Good, huh?” Sanzu asks around his own chocolate, shuffling a gold box of expensive Italian truffles in his palm as he picks through them, confections jumping perilously with the motion, shimmering wrappers catching in the flashing neon strobes. “They’re imported.”

“Where’d you get those?” you ask through strings of caramel and cocoa, welding to your molars. 

“A little Halloween treat courtesy of Mikey,” he says dutifully, jostling the box in emphasis. “And an apology, for taking longer than expected.” 

Warmth blooms in your chest, swelling with your heart and stretching your ribs. The last few remnants of displeasure fade from your face, giving way to a small smile.

How very Mikey of him, to send his second in command armed with artisan chocolates and a short, sweet explanation; something he knew would make you smile, something he knew would alleviate some of your impatience, a reassurance that he misses you too, that he’ll be back soon, that he’s thinking of you. 

“There’s our pretty girl,” Sanzu teases, but his own grin has softened a little, the glint in his eyes dulled to a twinkle. “No more pouting, ‘kay? Your trusty Cheshire Cat will be by your side until your Hatter returns.”

Ah. A polite way of saying that you’re stuck with him until Mikey’s finished his work, no ifs, ands, or buts about it.

That takes longer than either of you expect, though, Sanzu’s plan of entertaining you by leading you, hand-in-hand, around the club to assess each Bonten member’s costume not nearly as lengthy as he had anticipated. 

Because it only takes a mere twenty minutes or so to examine all of them, with you near instantaneously deciding that the Haitanis have won the make-believe costume contest you and Sanzu had been holding between yourselves. 

Sanzu had agreed—everyone looks impeccable in their custom-made costumes, tailored specifically to them at your behest, but no one had any hope of eclipsing the Haitanis in their form-fitted pinstriped suits, each stitch and thread molded flawlessly to their frames, perfectly pressed collars embroidered with Dee and Dum in shimmery purple thread, powder blue bowties immaculately symmetrical around their tattooed necks. 

Now you’re back at the bar, Sanzu’s shaky fingers sifting through the box of truffles as he searches for something, anything, to distract him from the way the blood in his veins is beginning to dry up, the way his capillaries are withering, brittle and thirsty, the way his skin is beginning to itch.

Because he can’t do a goddamn thing about it. Not yet, anyway.

No narcotics when he’s chaperoning you; that’s a hard rule. That’s a rule that’s been sewn into the tissues of his brain so tightly it’s interwoven with his synapses. That’s an execution rule; a one time only rule—breaking that rule will get him fucking killed. 

But you’re both starting to become a little bit restless. 

“Come on,” you’re begging, word dragged across your tongue in a petulant whine. “Just one more chocolate?”

“I said no,” Sanzu snaps, eyes hard. “Mikey said three. Mikey’s the Boss. Whatever Mikey says goes; Mikey’s girl, Mikey’s rules!” 

“You’re no fun,” you huff, forehead scrunching with a pout. 

“Yeah, and that’s why he sticks me with you,” Sanzu says, though he sounds almost proud, as if it’s an honour to babysit you, a title of high esteem. “Because I can resist your tricks.”

“My charms,” you correct.

“Whatever,” he waves a hand. “It’s all semantics. Point is, I know how to say no to you, unlike a few certain someones.” 

Unimpressed ice blue eyes sweep across the venue, hovering pointedly on the faces of his colleagues—Kakucho, the Dormouse; Kokonoi, the White Rabbit; Rindou, Tweedle-Dum.

Your eyes follow his, and you smirk to yourself. Kakucho is the easiest out of those three; Kokonoi sometimes deceives you, allowing you to do as you please only to tattle to Mikey later, and Rindou always demands some sort of payment, claiming it’s only fair that you give him something he wants in return. 

Turning back, you’re about to respond, something bratty and bitter simmering on your tongue, when a pair of hands and a smooth voice cuts you off. 

You’d know that touch, that tone, anywhere.

“Pray, tell me, Miss Alice,” Mikey murmurs in your ear as he slinks up behind you, palms curling around your hips and pulling you back toward his chest. “Why is a raven like a writing desk?”

“Because it can produce a few notes,” you answer dutifully, head tipping back against his shoulder to glance at him through the corner of your eye. “Though they are very flat.”

“Correct,” he responds. “My, what a smart little girl you are.”

It’s soaked in condescension, compliment drawled out through a supercilious smirk, breath wafting across your face sweltering and saccharine. 

“Do I get a reward, Mister Hatter?” you ask, sweeter than sugarcane, batting eyelashes framing hopeful, dewy eyes. 

A hum vibrates on his tongue, onyx gaze apathetic and appraising as it glides across your features slowly, thoroughly, pulling each of your thoughts apart and putting them back together again. 

Your head rolls to the side, over his protruding collarbone, to stare at him more resolutely. And God, it’s the way you’re looking up at him, eyes glazed with dedication, with devoutness, like you want to fucking devour him. 

Like you want him to devour you. 

Hips pushing back, you rub your ass into his cock in inconspicuous little motions, lashes fluttering a little, back arched in a perfect curve and tits on full display. 

From this angle, there’s no way he can’t see right down your dress; there’s no way he can’t see the red lace of your bra straining against supple skin as your chest rises and falls with gentle breaths, no way he doesn’t notice the very tips of your nipples, cheekily peeking out from beneath the delicate material with each swell of your breasts. 

Bony fingers flex on your waist, and he huffs out a smirk.

His ebony pupils are enormous, blown wide and gaping, gnawing away at the whites of his eyes. 

He’s high. 

It’s evident in the milky film of artificial ecstasy lacquering his gaze, doped up and hazy, but it does nothing to dilute the potent love he has for you, melting his stare to something soft and sticky, pouring past his lashes.

He’s feeling good tonight.

“I think I know what my little girl wants,” one hand flattens against your stomach, holding you flush to his body as the other slides up your ribs to cup your breast, filling his palm with it and kneading, slow and deliberate, simply enjoying the feeling of you. “And it is very naughty of her.”

“Oh, really?”

“Mm,” he hums, head drooping to nose along the curve of your neck. “Really.”

His lips brush along your skin as he speaks, his voice barely more than a gentle vibration along the column of your throat, and you whimper a little, fingers curling around his wrist and pressing him closer.

“A-And what’s that?”

“Aw, can’t you guess?” he tuts his tongue. “And I thought you were smart. Must’ve been mistaken. Where’s my smart little girl gone now?”

Grip firm on your waist, his hips rut forward, hard cock prodding at you through the layers of tulle. A discontented little sound vibrates in your throat as you squirm a little—and oh, he knows what you’re whining about, greedy girl, knows that you can barely feel his cock through the thick petticoat, knows you want more—and he presses his hips further forward, grinding harder into your ass.

“Daddy—Da-Daddy, it’s—” 

“What?” he shoves again, stronger this time, teeth nipping at the skin below your ear. “Hm?”

“Your cock is hard,” you nearly whine, pushing back against him in a pitiful little wiggle, desperate for more friction. 

“And who’s fault is that, huh?” 

The hand massaging your breast gives a final squeeze before his fingers find your nipple, pinching it through the material of your dress and bra, then rubbing the heel of his thumb over it in hard, rhythmic motions. 

“Is your pussy wet?” he huffs the question into your ear, his hot breath procuring shivers. “I bet it is, naughty girl. Daddy wants to feel it.”

“Please, please,” your hips buck a little, punctuating your pleads, chest pressing into his touch.

“Please? Please what?”

“Touch me, Daddy, touch me, touch me.”

Slender hands slip beneath the puffy layers of lace, calloused fingertips rough as they skim up your smooth thighs, outlining the silk ruffles of the bloomers he bought you specifically for this costume. 

Your hips twitch slightly, legs spreading instinctively as his fingers trail along the scrunched hem to the apex of your thighs, pressing two into the rapidly dampening material. Pensively, they caress your slit through the material, prodding your hole just a little before rubbing two slow, hard circles into your clit.

“Christ,” he breathes out, curse splintering at the end. “You’re so fucking wet baby, and I’ve barely done anything yet.”

His palm flattens against you, all four fingers dipping into your core nearly to the first knuckle and then curling, the heel of his hand grinding against your clit, and your pelvis cants reflexively, almost as if you’re attempting to draw his fingertips further in. 

“How are you this wet already, huh?” he keens, voice straining beneath his own desire. “Been thinking naughty thoughts?”

“Jus’want your cock,” you slur out honestly, hips gyrating in pathetic little circles, an embarrassing attempt to follow his touch. 

“Oh, yeah? That’s all it takes, eh?” he rolls your clit between his thumb and his forefinger, nonchalantly toying with it as he mulls. “Just my cock?” 

“Uh-huh,” you nod blearily. “Uh-huh, uh-huh.”

“Cute,” Mikey spits, the compliment sheathed in venom, “how utterly stupid just the thought of my cock makes you.” 

His fingers clamp down on the swollen nub and tug, your whole body jolting with the pain, a yelp hitching in your chest. 

The arm wrapped around your waist tightens in response, holding you close, holding you still as he humps away at you, sloppy and uneven.

“Oh, baby,” he murmurs, fingers tweaking your clit in rhythmic motions, sparks of pleasure chased by shocks of pain. “You’re so fucking easy for your Daddy, aren’t you? So quick to get soaked for him, so quick to get ready for him, such a good little slut for him, yeah?” 

His voice is gravelly, letters wispy around the edges despite fact that he’s nearly shouting over music. Another rush of heat surges between your thighs, and he laughs, dark and dangerous. 

Your clit throbs in his touch, the silk of your panties drenched all the way through, aiding his fingers in their slippery motions—several small, fast S gestures, followed by a few firm strokes of your slit, fingertips gliding over your folds with ease. You’re so soaked, whole cunt now outlined by the shimmery material, molding to your folds and enabling him to feel every dip, every bump, every crevice, another chuckle dripping from his lips as your little hole clenches around nothing.

“Daddy,” you whimper, thighs squeezing together tightly as you attempt to fuck his fingers. “Daddy, I—I can’t—I need—” 

“Shh,” he hushes you, lips caressing the curve of your ear. “I know, baby. Daddy knows what you need.” 

A palm wraps around your wrist as Mikey mutters something about going somewhere a little more private, pulling you along behind him and leading you toward those purple velvet VIP couches, empty and roped off in a darkened corner. 

“What are we—” you begin as Mikey collapses heavily on the couch, knees spread wide open, hips shifting up slightly as he forces his feet even further apart, getting comfortable. 

C’mere, his lips mime, voice drowning in heavy bass, his chin jutting in the general direction of his straining cock, yearning against pin-striped pants. 

Strong hands curl around your hips and yank you backward, the abrupt motion punching a sound of surprise from your chest as you tumble into his lap, spine pressed tight to his sternum. 

The hinges of his jaw hook over your shoulder, a crude way of keeping you from squirming as he manhandles you into straddling his thighs, hard cock pressing into your core. 

“Holy fuck,” he pants out, the curse damp against your skin. “You’re so wet I can feel you leaking through my pants.”

“Daddy,” you say, and although it’s meant to be a warning, it comes out as a whine, stringy and petulant.  

Because it already feels so good, and he’s already so hard, and you just can’t help but rock your hips back, slow and firm, whimpering a bit as the head of his cock glides over your clit, teasing as the slick, swollen little nub jumps beneath the dull pressure. 

He laughs a little, nothing more than a deep, dark rumbling within his ribs, reverberating against your back.

“You’re so fucking nasty, baby,” he chides lowly, though you can hear the self-satisfied smirk sewn into his voice, tinged with sadism, as he rolls his hips up twice, grinding his cock into your drenched core. “You’re so fucking needy, baby, trying to get yourself off in the middle of this crowded club.”

You are, you are, another little sound escaping your lips as you rut back against him, already beginning to speed up, rubbing the head of his cock over your clit in quick little strokes.

“It’s really precious, y’know, how pathetically eager you are for me,” he murmurs, notes of fondness negating the sting the insult should bring, words gone melty and sweet. “But you gotta stop humping Daddy for a moment, so he can get his cock out and give you what you really want.” 

A disgruntled little whine sounds in your throat, motions stuttering a little as you attempt to stop moving. But it all feels so incredible, greedily unable to quell your hips completely as they rotate in messy little circles, tummy starting to ripple with each graze of his blunt head against your clit.

“Hey,” he warns, sharp and stern, a palm colliding with your bare thigh and leaving a burning handprint seared in its wake, the impact of the slap loud enough to draw a few pairs of eyes. “Don’t get bratty with me, or you won’t get anything at all, you understand?”

Your head’s nodding before the words are even finished leaving his lips—yes, Daddy, of course, Daddy, brats don’t deserve to be filled by Daddy’s cock—desperate to be good for him, to be the best for him.

Because you know he isn’t fucking around; Mikey’s threats are never empty threats, each and every word plucked from his brain with superlative care, heavy and infused with meaning.

It’s terrifying and tantilizing, how easily and instantly he can switch from one mode to the other: from playful to imposing, from Daddy to Leader, a pleasant shiver skittering up your spine, your hole clenching and pulsing as your stomach plummets, gut weighted with a tingling pressure.

It’s a bit of a task, freeing his cock and manoeuvring yourself as you try to inconspicuously sink down on it, but you both manage, your fluffy petticoat of crinoline and tulle providing a decent amount of privacy. 

A hiss slips through the gaps of your gritted teeth as it begins to tear you in two, cute little hole stinging as it strains around his cock, struggling to accommodate his girth, delicate skin splitting itself open for him. 

“That’s it, that’s it,” he breathes lowly, voice vibrating against your ear. “There you go, good girl.” 

An airy little moan spills from your lips as he bottoms out, cockhead pressed snug to your cervix, and you melt back into him, skull knocking against his shoulder, eyes slipped shut. 

“Feel better, princess?”

“Yes, Daddy,” you mumble out dreamily. “S’good, S’right.”

“It feels right, huh?” he chuckles a little, thumbs rubbing fond circles into your hips, his hands all the way up your skirt, slipped beneath the frills and fluff, forearms buried in your dress. “You like it when Daddy fills you up?”

“Uh-huh,” you nod. “Stretches me out real good, makes me feel all stuffed ‘n full.” 

Whole, complete, one. Like everything feels as it’s supposed to again.

And it hurts, because it always hurts, because he’s too thick and you’re never prepped enough, never patient enough, core split open on his cock and little hole aching as it attempts to adjust to him, but it’s so fucking perfect, too. Your cunt spasms around him, hips twitching a little in desperation—like you’re trying to suck him in further, like you’re trying to bury him deeper—and he groans, fingers flexing as he holds you still, nails gorging on your flesh.

“Eager, are we?” 

“S’not my fault,” you mewl, back arching a little as you attempt to push your hips back, squirming a bit in his strong grip. “Need you, Daddy.”

“Is that so?”

Grasp tightening, his hips thrust up, grinding the head of his cock into your cervix in slow, hard motions—back and forth, back and forth, inspiring a dull pang throbbing in your gut. 

Gasping sharply, your hips jerk back in response, automatic and instinctual, pulling a hoarse groan from his chest. 

His clutch turns to near bone crushing, a fractured little cry sticking in your throat, and he forces you to hold still for a moment, muscles in his thighs gone rigid and stiff as his hips press up further and tug you down, frozen, revelling in the way your cunt pulses around him, as if it’s whining for him.

“M-Mikey,” you echo its sentiments, his name a sulky plead on your tongue, brows knit together and lips jutted in a pout. 

“What’s the matter, sweetheart?”

“You know,” you huff out, wriggling a little in his palms, feebly trying to fuck yourself on him.

“Tell me anyway,” he demands.  

Scalding embarrassment pricks your cheeks and you whimper, fidgeting in his grasp again, head shaking in defiance.

“Come on,” he chides, but there are notes of amusement infusing his tone. “Daddy can’t give you what you want if you don’t ask for it.” 

Sharp teeth sink into your shoulder suddenly, your half-formed response strangled by a gasp, Mikey’s jaw tensing as he burrows his teeth further into your flesh, piercing through tissues and snapping capillaries until copper explodes in his mouth. 

He holds it for a moment, all thirty-two of his teeth latched in your skin, ensuring he leaves a full, detailed outline of his mouth etched into you—a signature of sorts—before his tongue flattens against the wound, dragging over it in a single wide lick and sealing it with blood-tinged saliva. A gentle exhale wafts over the bite, cool against the searing pain, and you shudder, chills erupting across your flesh.

“You’re a big girl,” he coaxes over your whimpering, the encouragement steeped in condescension. “I know you can do it. Use your big girl words and tell Daddy what you want.”

Your eyes squeeze shut against the burn of humiliation, lids crinkling at the corners, the softest hiccup catching in your throat, and you feel his cock twitch inside of you. 

“I—I wanna ride your cock, Daddy,” you push the stubborn words from your tongue, trembling and breathy.

“Yeah?” he asks, bloodied tongue tracing along the shell of your ear. “How bad?”

“So bad,” you bleat out, striving to bounce on his cock under the firm restraint of his hands, dewdrops of annoyance clinging to your lashes, glittering in the beams of magenta and teal as you blink rapidly.

“Hm,” he muses to himself, nonchalant as he readjusts his grip, hands constringing, completely halting your pathetic little movements. “It doesn’t seem like you want it all that badly.”

“Daddy,” the word leaves your lips in a whine, scrunched and petulant through your pout, body thrashing beneath his strong grip. “Come on—” 

“Are you sure you wanna be such a naughty little whore in front of all of these people?”

Your body stops its writhing, his words like a slap to the face.

It’s a bit of a shock, to hear it spoken aloud so bluntly, cut and dry and honest, and it sends a torrent of sparks fizzing through your chest to collect dense and tight in your tummy. 

Shame and revulsion sets your skin aflame, the cinders in your gut flaring in response, an intoxicating combination. 

“Yes—”

“Huh? What was that?” he shouts theatrically in your ear. “I couldn’t really hear you over the music.”

“Y-Yes,” you repeat, trying to steady your hiccuping voice, to be stern and resolute, even as tears begin to stream down your cheeks.

“Really?” he breathes, and he sounds astonished, he sounds appalled. “You’re so fucking sleazy, baby. I wonder what all these people would think, if they knew how truly filthy my little girl is...”

“Manjirou,” you weep out his birth name, whole face saturated in frustration.

“Oh-ho-ho,” he chuckles out the word, and it’s vicious. “Graduated to using my full name, now, have you?” he licks at the steadily oozing bite, mopping up more blood with his tongue. “Christ, you do really want it.” 

“I do!” you cry out, struggling against his grasp again, hips bucking in wild, erratic motions. “I do, I do, please, let me ride your cock, please.” 

“What if I made you sit, still and straight like the good little girl I know you want to be, on my hard cock for the rest of the night? Do you think you’d be able to handle it?”

You know he won’t, know he’d never be able to, because he’s just as addicted to you as you are to him, just as desperate, just as eager, just as needy; because even as he holds you motionless, he can’t quite halt the delicate jerk of his hips, rolling up into your core; because you know he wants this just as badly as you do, gets off on the depravity just as much as you do.

Even so, the mere thought of being teased like this, of being forced to hold such a degrading position, is still enough to inspire a rush of agitated tears to flood your eyes, vision gone bleary with despairing desire and rendering the club a bleary haze of glowing neons. 

“No, Daddy, no, I—I just want to ride you, please, Daddy, I c-can’t—” 

You’re nearly wailing now, head thrown back dramatically as your neck twists into an uncomfortable knot, anguished as you try to bury your face in his throat, looking for solace. Your chest stutters as you stammer out half-finished pleads, gone garbled with spit, and Mikey smiles.

You’re starting to cause a scene. 

It’s exactly what he wanted.

“Okay, baby, okay, okay,” he’s pacifying as he feels hot tears soak into his neck, a choked sob catching painfully in your chest. “Daddy’s here, Daddy’s gonna make it all better.”  

And finally, finally his grasp loosens, stiff fingers gone lax, massaging lopsided circles into the rapidly developing bruises left in the shape of their prints. 

“Go ahead, angel,” he urges, nuzzling into the junction of your shoulder, pressing a chaste kiss to the congealing bite. “Ride Daddy’s cock.” 

Then he’s slumping back, settling into the couch cushions and spreading his thighs a little wider, pressing the soles of his boots into the waxed floor for stability and leverage. 

His hands stay on your waist, a gentle guidance, but he allows you to set the pace—a rare occurrence—patient as your hips work up a steady rhythm of quick, shallow gyrations, each swivel dragging his cock against your favourite spot.

And God, you’re so cute when you use his cock to make yourself feel good. It’s a shame that he can’t see your face in this position, can’t see the way your lashes flutter and frame the rolling whites of your eyes or the way your features scrunch so delicately; a shame he can’t hear your gorgeous noises, all your sweet little gasps and pitiful little whines consumed by the blaring music. 

But he can see how your back is bowing, spine forced into a near perfect arc by your building pleasure, bending just a hint more with each brush of his cock; he can feel your palms clutching his knees, nails digging little crescents into his shins and using them for support as your movements accelerate, as you fuck yourself harder, faster, better.

And he lets you have your fun for a little, lays back all languid and lazy and watches through lidded eyes as you play with yourself and use his cock like it’s your favourite toy—because, well, it is—but eventually it just isn’t enough and you need Daddy’s help. 

Just like he knew it wouldn’t be. Just like you always do.

Not that he minds one bit.

Yes, it isn’t enough, because it never is, because you can never manage anything more than teasing yourself when left entirely to your own devices, spritzing kerosene on the dull smouldering in the pit of your stomach as the head of his cock brushes up against that engorged spot inside of you, not nearly hard enough or fast enough to have you anywhere close to creaming on him, merely enough to have your clit throbbing, swollen and neglected. 

He knows you’re beginning to get restless when your hips turn sloppy, tempo starting to falter as your motions stutter, and then you’re looking over your shoulder at him with a beseeching pout, glazed eyes begging him to do something!

So he does. 

He’s straightening up in a split second, hands around your waist tightening as he yanks you back toward his chest, chin hooking over your clavicle again and grinding the sharp bone into your skin.

“Poor thing,” he murmurs against your jaw, mocking and mean. “Can’t even get herself off without her Daddy’s help.” 

“I can’t, I can’t,” you wail over the roar of EDM, head shaking in accentuation. “Need you, need you to do it for me.”

“Of course you do, angel,” he says, as if it’s obvious, as if it’s common knowledge. “But that’s okay—Daddy will make it feel good.” 

That’s the only warning you’re given before his hips are ramming up, rapid and rough and downright ruthless, the abrupt motion slamming a high-pitched yelp from your throat, so pure and genuine and full of lust that it rises above the music, breaks through the heavy bass beat, gathering a handful of glances from a few nearby party-goers. 

So much for being inconspicuous. 

You should’ve known that that just isn’t Mikey’s style. 

They lose interest just as quickly as they gained it, though, going back to their drinks and their drugs, unconcerned. What the Boss does at his own club is none of their business, even if it is on display for the whole venue to see. 

Still, it’s enough for Mikey.   

“Everyone can see you, you know,” voracious black eyes scan the balcony space. “Everyone can see you being such a good little whore for your Daddy.” 

The thought of being watched, of being caught, inspires a whole flock of butterflies to flit around in your tummy, another surge of heat gushing between your thighs, and Mikey laughs. Oh, he felt that. 

Because he’s right; if anyone dared to look a little closer, a little longer, cared to paid a smidge of more attention to the two of you, hidden on one of the velvet couches wedged in the corner of the VIP section with your hips rocking and Mikey’s hands buried in the lace and tulle of your skirt, they’d know exactly what the two of you are doing.

But it doesn’t matter; you don’t care. Neither does he. Why should either of you?

“Do you—Do you think they like it?” you question, and Christ, it’s so precious, that pathetic hope ringing high and clear in your voice. “Do you think they like watching me bounce on their Boss’s cock?”

“Fuck,” the curse fragments in his throat, sharp and pitchy, and he coughs on the shards. “I know they do, sweetheart.”

“Do you think they’re g-gonna go home and touch themselves to the thought of me—of us?”

“Aw,” Mikey coos out in a chuckle, breathless and condescending. “It’s cute that you think they aren’t already jerking off to you on a regular basis.”

Of course they are, you silly little stupid thing; how could they not be? With all the sweet, short little dresses he buys you to prance and twirl around in—the ones with the sweetheart necklines that dip just a hint too low, teasing the swell of your breasts with each of your gentle inhales; the ones with the rippling hems that end just a touch too high, swishing and swaying and flashing with each of your movements, riding up and fanning out to gift them with teasing little glimpses of the lace and satin underneath. 

“You think I don’t know what my—ah, Christ—what my men think of you? How my men think of you?” He tongues a little at the bite, using his front teeth to scrape off a few half-formed scabs, blood rushing to pool in their place. “You think I don’t see the way they look at you?” 

A whine stammers in your throat, your back arching a little more as your cunt quivers around his cock, that drove of butterflies sending your stomach swooping, the organ tensing, tying itself into thick knots pulled tight and taut with each plunge of his cock. 

Mikey laughs again, the sound nothing more than a deep, dense vibration rumbling within his ribs, seeping into your back and sending tingles up your spine. 

“Would you like to see the way they look at you?” 

“H-Huh?” 

Oh, how adorably fucked out you already are, mind gone dumb and numb to everything but him, but his voice and his touch and his steadily driving cock; oh, how adorably easy it is to make you this fucking idiotic. 

“Look over there,” he presses his cheek into yours, forcing your head to turn and follow his gaze. 

Across the club, Rindou sits with an elbow resting on the edge of the bar, a glass dangling from his fingertips. His eyes are cavernous, carnivorous, a smirk smearing across his face as your stare meets his, heavy lids framing a leering look. 

Using a shoulder, he nudges his brother’s stomach, jutting his chin toward you and his Boss in indication when Ran looks down in question, redirecting his attention. 

Now they’re both watching you, with doped up violet eyes and identical sleazy smiles, toothless and worming.

It makes you want to scrub and scratch at your skin, their gazes painting you in a thick coat of grime, body soiled by their lust and left feeling dirty, feeling gross, a strong shiver crawling across your flesh.

Your head jerks reflexively, desperate to hide from their lechery, skull knocking against Mikey’s hard enough to send thorns of pain searing through your temple. 

A yelp cracks in your throat, and Mikey snorts, seemingly unfazed. 

“Aw,” Mikey tuts in false admonishment. “Don’t get shy now. Look at them. Look at them while you ride my cock.”

“M-Mikey—” your eyes shut tightly, a pitiful attempt to escape their invasive eyes, head shaking in little judders.

“C’mon,” he goads, forcing you to face their stare. “You want them all to see, right? How good my little girl is? How pretty my little girl is?”

Peeking through your lashes, you squint at the Haitanis, features teetering on the verge of a wince, as if you’re expecting them to physically strike you. 

They’re still looking at you, wide and unblinking, speaking out of the side of their mouths in laughs and murmurs to one another. 

Dressed in matching pin-striped suits and thick suspenders, Rindou has discarded his jacket, shirtsleeves rolled haphazardly up his forearms to his elbows, first few buttons of his shirt popped undone, revealing a defined collarbone. 

Predictably, Ran is still the perfect picture of poise and elegance, not a single hair out of place, suit jacket square on his shoulders and flawlessly tailored to his body, each stitch outlining his edges.

Tweedledum and Tweedledee respectively, and just as treacherous.

Whatever it is they’re saying to each other, they’re clearly enjoying themselves, amusement playing in glassy irises as Ran rests a hand around Rindou’s neck, slim fingers pressing into plush muscle. His younger brother instantly relaxes into his touch, mollifying back against his stomach and hooking an arm around his thigh, hugging it to his ribs. 

And it’s the way they’re looking at you, as if they’re peeling the clothes from your body and the skin from your bones and peering into the depths of your soul to dance with your demons and devour your secrets; as if they’re singeing your expression into their minds, the sight of your features saturated in perturbation and pleasure branded into the tissues of their brains, carved into the walls of their skulls, ensuring they’ll never forget.

Everything feels overexposed as they pry you apart bit by bit, heady mix of hedonism and humiliation hazing over your brain.

Mikey’s hips slow to a drag, thighs tensing and soles of his boots skidding across marble as he expertly angles his hips and presses up, rubbing the head of his cock over your g-spot in slow, controlled motions—back and forth, back and forth, over and over and over again. 

And the moan that claws at your throat is almost obnoxious, is definitely embarrassing, which means Mikey needs to fuck at least three more from your chest, grunting a little with the effort as his cockhead jabs against that plush spot, hard and precise.

A whine that sounds suspiciously like his title, tangled in spit and weighted with shame, spills from your lips, and you nestle your face against his own even as your hips jolt, desperate for comfort, desperate for cover.

“Don’t pretend you don’t like it,” he nuzzles your damp cheek. “I know you do. I can feel it.”

It’s true, he can—you’re sure he can, with the way your straining little hole keeps pulsing around his length, another stream of heat cascading down his shaft, viscous and wet and so, so much, to pool in the folds of his balls, to stain the waistband of his pants and the velvet of the couch.

But you know he likes it just as much as you do. 

Because you’re both so fucking naughty, so fucking nasty, but the depravity just works to heighten it all, makes it that much better, amplifying every touch and brush and tease and fondle and making it all feel so fucking good, even as Mikey’s pace eases into something unhurried, his thrusts turned languid but powerful.

So you join in, you rise to his challenge, a sick little game the two of you play, a sick little game you force others to participate in—because you’re fucking untouchable.

“Do you think their cocks are hard, Daddy?” you ask, the question dripping with syrup as you roll your hips backwards, slow and purposeful, returning the Haitanis’ smouldering stare through fanned lashes, unblinking and tenacious. 

“Ah, f-fuck,” Mikey’s cock jolts, rhythm stammering for a moment before he regains his composure. “Yeah, baby, I bet they’re wishing they were me right now.”

You bet they are, too, mouths stopped moving and gazes gleaming with want, lips parted with uneven exhales pushed from their heaving chests, entirely enchanted by your movements.

It’s the most affected and authentic you’ve ever seen them before, and it sends a thrill of power shooting through your body, blood left fizzing in its wake. 

One of them reaches into their pocket, groping around blindly for their phone, not daring to spare a second of their attention away from you, and Mikey snarls, nose scrunched in disgust and lip curled in a sneer, baring gritted teeth.

Because that’s too much, that’s crossing a line, and Mikey swiftly redirects your face, effectively hiding your expression from the Haitanis’ hungry eyes. 

Mikey’s always liked to show off. Mikey’s never liked to share.

He swaps shoulders quickly, the defined hinges of his jaw clasped firmly over your collarbone, and smushes his face flush to yours again, skin clammy with sweat. 

“And look over there,” he steers your gaze toward the other side of the club, where Kokonoi sits with a smattering of men surrounding a tall cocktail table, littered with crystal glasses and white lines. 

The men around the table are laughing about something, sloshing liquor and cutting powder into thick, fat stripes, but Kokonoi isn’t paying attention to any of it. 

No. Kokonoi is looking at you. 

His eyes snap away when they meet your own, head whipping forward with such speed and such force it’s a marvel he doesn’t instantly give himself whiplash. A deep laugh rumbles in Mikey’s throat in response, something dark, something decadent. 

“He’s gonna go home and touch himself to you, too,” he says. “He might not even make it before he goes home; might end up jerking his cock in a bathroom stall or the front seat of his car.” 

“How can you tell?” 

“Well, look at him,” Mikey snorts. “He’s so hard he’s about to burst outta his pants.”

Following the line of Kokonoi’s body, your gaze travels downward, to the straining lump in his white pants. His hips shift a little uncomfortably as his thighs tense, hands curled into fists on his knees as he steadily trains his stare forward at the wall opposite of him, throat bobbing with a thick swallow.

Mikey’s right—Koko’s about to burst.

The thought of Koko rushing to his car to collapse in the driver’s seat, head tipped back against the headrest and hand shoved down his pants as his palm rubs frantically at his hard cock, or hastening to the washroom to lock himself in a stall, forehead pressed tightly to the rickety door and panting out stuttered, half-stifled whimpers hotly against his upper lip as he hurriedly relieves the problem you’ve created, is almost too much to bear, stomach clenching in time with the throbbing of your cunt, a torrid pressure building and burning in your gut. 

The sudden acceleration of Mikey’s thrusts snaps you out of that tangle of thoughts, effectively drawing every ounce of your attention back to him.

A mewl pries past your lips, sharp and high and cracking at the end, whole spine arching as Mikey resumes his assault on your favourite spot, cockhead driving hard and fast against plush flesh. 

“They can look all they want, but you’re mine.” His fingers tighten, his grasp rigid and unbreakable, the words nothing more than a snarl spit in your ear, wet and harsh. “I won’t fuckin’ share.” 

“Never, never, never,” you babble in time with the bouncing on his lap, head nodding in sloppy motions with each repetition of the word. 

“Never,” he growls, teeth sinking into the flesh of your shoulder sloppily, excess spit dribbling from the corners of his mouth as he breaks the skin for the second time tonight and sucks hard, drawing blood from the string of tiny wounds.

It has another cry escaping your throat, whole face crinkling in a sordid mixture of pleasure and pain, head instinctually thrown back against your Daddy, automatically giving him more room to work. Drops of watered down blood drool down your back and Mikey takes a moment to admire them, mesmerised by the way they shimmer in the strobing lights of the club, before he licks at them with the tip of his tongue, leaving crude strokes of fresh spit in their wake.

Those few remaining scraps of decency you’d both been clinging to have been devoured by Mikey’s growing selfishness, no longer caring about what others might see or think or say—it’s not like anyone’s dumb enough to do anything about it anyway; it’s not like anyone has enough of a death-wish to try.

He’s the motherfucking Boss.

And the Boss gets what he wants, where he wants, when he wants, always. 

He’s really fucking you now, vicious and vigorous, your entire body juddering in his lap as his hips piston up, cockhead pounding against that sensitive mound of tissue buried deep within you. 

Each thrust shoves another shattered sound from your tongue, splintered moans of his name and his title pouring past your lips in a jagged stream. 

The knot your stomach has twisted itself into strains under the building pressure, growing heavier and heavier with each jackhammer into you, stretched taut and stiff and ready to snap. 

It’s all so much, the ogling eyes and the ramming of his cock and the tightening in your belly, every muscle in your body coiled and aching for the ecstasy that comes with release. Your breath mangles with the mewls shoved from your lips with every slam up, sticking to your throat and you cough, wheezing past the splinters.  It’s all too much, and—!

“M’gonna, m’gonna cum, Daddy!” you gasp, tears dotting the corners of your eyes, sparkling in spidery lashes.  

“Yeah, baby?” he breathes, voice dropping to a ragged rasp. “You gonna cream all over Daddy’s cock? Huh? Make a mess on my cock surrounded by all of Daddy’s closest and most esteemed colleagues?” 

“Yes, yes, yes,” you nearly sob out, palms curling over his wrists, nails clawing at the delicate skin, desperate for an anchor. 

“My dirty fucking girl,” he hisses out, sharp breath stinging your cheek. “Such a good—Ah—good little slut for me, aren’t you?” 

You can no longer respond, rendered stupid from the ardor, potent pleasure corroding your brain and gnawing through your synapses. It’s downright intoxicating, it’s fucking insatiable, it’s simultaneously immense and insufficient, way too much yet not nearly enough, because you need more, you need more, unintelligible pleads shattering on your tongue.

“Yeah, yeah, yeah, baby, gush all over Daddy, make a pretty mess on his lap for him. Show everyone in this Goddamn club how gorgeous you look cumming for me.” 

And so you do, ever your Daddy’s best girl, body eager to obey its owner as your cunt convulses around him, copious amounts of slick cascading down his shaft to drench his thighs, sticky and sharp and so fucking sick as he continues to bounce you in his lap. 

The spasming of your cute little hole draws the sweetest whine from the back of his throat, panted out against the curve of your ear, and another bout of warmth rushes to the apex of your thighs, earning you a shuddered little curse, the exhale sweltering against your sweaty skin.

You sound so pretty right before you cum, Daddy. 

Three more pumps of his hips and he’s following, thrusts stuttering as he fucks up messily into you, cock throbbing almost violently and stuffing you to the brim with thick, hot cum. Strong hands hold you firmly in place, cockhead pressed flush to your cervix as he spills himself into you, as he forces you to take every fucking ounce of what he’s giving you. 

And you love it, you love it, you love it, you’re telling him, sentiments pouring from your mouth in a jumbled stream, singular and continuous until your lungs run out of air, voice cutting off with a squeak. 

“I love you, I love you, I love you,” Mikey’s murmuring into your skin in response, lips leaving smears of sugary saliva just below your earlobe. 

He allows you to sit on him for a moment, chest heaving against your back with ragged breaths, sweaty forehead pressed tightly to your shoulder. Tilting your head, your rest your cheek on the back of his skull, eyes slipping shut as your own heart begins to calm, cunt still pulsating irregularly around his shaft, almost as if it’s attempting to squeeze a few more drops out of him, his cock acting as a crude plug, keeping most of his cum buried inside of you.

Finally, his head lifts, pressing a tender kiss to the blood-encrusted bite glittering on your shoulder. 

“Go get cleaned up in the washroom,” he mutters gently, pressing another string of kisses along your jaw. “Don’t wipe away any of Daddy’s cum; let it soak into your panties real nice and good, let them get really wet, and then snap a few pictures and send them to me. Can you do that for me, angel?” 

“Yes, Daddy,” you slur out, nodding in loose, liquid movements. 

“Good,” he pats your thigh twice. “Now, go.” 

A small noise of affirmation sounds in your throat, head still nodding as Mikey helps you stand between his spread thighs, hands on your waist keeping you upright while you wobble on unsteady legs. 

And the noise that you make as his cum and your slick surges out of you—something caught somewhere between a mewl and a whine, turned on and disappointed simultaneously—is the cutest thing he’s ever heard, a muted coo slipping from his own lips as your hands wrap around his, using them to further stable yourself. 

He holds you for a moment or two longer, making sure you’re sturdy and your knees won’t suddenly give out, before giving you one final squeeze and releasing you, smirking a little as he watches you teeter away on rickety feet. 

Initially, his plan was to have you capture a few naughty photos for him—pretty little things to stash away in his phone for later use, during the nights he’s forced to spend away from you, sitting in expensive cars or laying in lush hotel beds—and force you to wear the gluey, cum-drenched undies for the remainder of the party. 

But then his phone is buzzing, and he’s unlocking it to find your cunt perfectly outlined by thin silk as it sticks to your folds, little clit and hole contoured and accentuated by the slick, shining fabric, soiled by a large, irregular patch of wetness, and oh, there’s no way he’ll be able to wait until you arrive home to fuck you again. 

No, he needs to fuck you now, a sudden burst of adrenaline buzzing through his veins, little sparks and minuscule explosions that have him up and moving in under a second, cock already beginning to fill with life again.

Sheer, potent power permeates the atmosphere around him, trembling off his body in sharp bolts; dense, heavy, cracking with electricity. 

The way the crowd instantly parts for him is awe-inspiring, their gleaming eyes full of terror and worship, hastily tripping over their own toes and ankles to move from his path as he strides toward the washroom, desperate to not be stung by his brilliance, desperate to get as close to the currents as possible without being scathed. 

You’re just exiting the restroom by the time he reaches you, breath punched from your lungs as he backs you into a tiled corner, trapped between the cold wall and his scorching form, his hands splayed wide on either side of your shoulders.

“We gotta go,” he’s nearly panting out as he shoves his forehead against yours, eyes closed and noses nudging, straining cock grinding unceremoniously into your hip. “We gotta go, now.”  

And, well, Daddy always gets what Daddy wants. 

[aerithmybbgmypookiemywife]

Genshin SAGAU where GN! Reader reads a fanfic about them being a sub.

people of tevyat look in horror as a fanfic about you being a sub is released, not knowing you ARE actually a sub. not proofread. also shoutout to @/gameperson23100 (not sure how tags work here im just a tumblr noob so i just did like a twitter thing) they were in my comments on my first post about this and had an idea about a sub reader! i just expanded on it a little :))

Creator! Reader who seems so elegant yet have such an untouchable aura towards them. Everyone praises them for being so mature, for being so calm and collected towards stressfull siturations, everyone fawns over them. Just one glance from their slightly intimidating eyes has their knees trembling. The archons praise them as someone to really look up to, a true pillar of Tevyat.

When fanfictions like the Creator x Reader became popular, there was an unsaid rule that you were the dominant one in the relationship.

So imagine everyones suprise when a book from an anonymous author potraying the Creator as a sub pops up in Inazuma. Yae Miko was suprised this was published unsupervised! She shut it down but it was too late, almost all of its copies were sold! Everyone was baffled at how the author potrayed the Creator, when it came to their duties, the author wrote them perfectly but when it came to the romance between the Creator and whoever the reader is... It was a catastrophe! The Creator? Submissive?? Down on their knees?? Begging?! Getting degraded and liking it?!?!

BLASPHEMY!

People of Tevyat were conflicted at this book, everyone had divided opinions. Some saying that the Creator is a sub, while some saying they are a dom. There are a few people who suggest that the Creator may be a switch but this gets shut down by both sides. It even reached the scholars of Sumeru! With debates turning into heated arguments that escalates into fights.

The archons, except Nahida, were upset at this book as this somewhat taints your image. (although they secretly love the idea of the creator being beneath their feet) The acolytes were also divided and different opinions, with Alhaitham finding it somewhat interesting while Kaeya found it a little hilarious and treated the book like a parody. Xiao on the other hand, had the same opinion as Zhongli, the book may taint your image thus he made it his mission to hunt down the anonymous author. Itto, who got the book from a random stranger he befriended, treated the book like a sacred scripture or a guilty pleasure. He knows it's probably bad but he just can't stop reading it! Wriothesley read the book during tea time, and thought that the idea of the Creator being a sub was possible...

"And that concludes the report on Fontaine." Neuvillette concluded his report. You only hummed in response as you looked around the room. the Archons were there and some acolytes were also present in the meeting. You felt as if they have something they want to ask but is holding themselves back.

'...Is it about the book...? Fuck, why did it have to be so accurate...' you thought.

You cleared your throat, "I'm sure all of you are aware of a certain book going around." you spoke up, their minds started scrambling, thinking that you would be upset and angry that they haven't found the author yet. "Your Grace, we are all working hard to hunt down the author and imprison whoever they are." Zhongli spoke up, you shook your head.

"No need, it's... An interesting book." you told them, you cleared your throat again, trying to ease your embarrassment. That book ended on a cliff hanger too! No way in hell were you going to imprison the author after writing an accurate potrayal of you!

Everyone didn't show it in their face but they were shocked, but even more shocked at how red your ears are while you tried to keep a calm face. Did this mean that you didn't mind the potrayal of the book about you?! Or are you truly a sub?! Do you just like the book?! What is it???!! HOW IS IT INTERESTING??!!? Their minds were filled with unanswered questions.

Word spread to Tevyat really fast, and as soon as they heard that you called the book interesting, it just added more fuel in the debates about you being a sub or a dom. Like two groups in the same fandom fighting for their non canon ship! The book would still be treated like an illegal book, a guilty pleasure.

[carto0ncritter]

People are so desperate for LGBT representation, (specifically gay and lesbian couples), that they're willing to accept literally any homosexual ship regardless of the concerning elements.

Let's see, we have ass ships like

1)Stolitz - Stolas is an abuser, a r*pist, a racist man who has so many powers yet is emotionally fragile, passive and wimpy, a man who victimizes himself over and over, a man who emotionally neglects the child who desperately needs him for his sexual fantasies with his victim, a man who is the creator's pet, a man whose actions aren't wrong according to the writers, a man who can just blame everyone else around him but himself with no consequences

2) Catradora - Catra is an abuser too, but was treated like a cute kitty cat in s5 despite having done atrocious things, she was instantly forgiven with no consequences, and she ended up dating her sister and the biggest victim of her abuse

3) Huskerdust - I haven't talked about this one so far, but Angel sexually harassed Husk and never apologized, Husk himself sang "Loser, Baby" and as a SA survivor I felt like he was trying to say this to Angel: "Oh, you've hit rock bottom because of SA? It's your fault lol, accept that you're a whiny bitch and a loser even tho the problem is extremely serious and out of your control and just suck it up, I'm a loser too despite not going through the same thing you have, you're not alone in being a loser BUT YOU ARE STILL A LOSER BABYYY A LOOOSER" Like, ik the message was supposed to be how we're not alone in our struggles and how there's always someone who will understand and make us feel less alone, but the way this was handled rubbed me the wrong way. Also, I'm not sure whether or not to mention this as well (screw it, I will), but Husk is described as "the old bartender," his voice sounds like it belongs to an old dude too, and he apparently died when he was like, 70, while Angel died in his 30's. I'm not gonna calculate their ages based on how it works in Hell because personally I feel like it doesn't matter. What matters is how old they were when they were alive. But however you decide to look at their ages, it's not just the implied enormous age gap that bothers me, no... it's more so the difference in maturity between Husk and Angel. Husk is described as a dude who has seen and experienced a lot of stuff. On the other hand, Angel is clearly immature and there is this weird... emotional imbalance between them? It's like a mentor dating his apprentice, at least that's how I see it. I'm not saying dating someone who's 40 years older than you is morally wrong (if you're both adults) but IT IS WEIRD imo, especially since Angel & Husk are not on the same page when it comes to life experience and maturity. Oh yeah, I also don't think Angel should be in any kind of romantic relationship... for his own good

[thankskenpenders]

Today we got some news regarding a big change for the Ian Flynn's Q&A podcast, the BumbleKast. As outlined in a blog post by Ian, starting in 2025, all Sonic-related questions submitted to the show will first need to be screened by Sega. (I have to assume this is also why Ian announced they'll no longer be doing live Q&As starting next year.)

Frankly, I can't say this is particularly surprising.

While the BumbleKast is ostensibly a podcast about Ian's work as a freelance writer for all sorts of things, and also just a place for him to shoot the shit about stuff he likes, he's still predominantly seen as The Sonic Guy. Sure, he also does a bunch of other freelance work for other series, and original comics like Drogune, and he's also the narrative mastermind for the whole Rivals of Aether franchise these days, but it's his insights into what goes on behind the scenes with Sonic that people really care about. Your average Sonic fan can't just go up to Iizuka or whoever and ask him a question about the current state of the lore, but Ian's inbox is always open.

Because of this, I've thought a lot about the BumbleKast's place in the fandom and The Discourse in recent years. Ian wants to be as open and honest as he can about his work, and I think that's admirable. To me, hearing about creators' struggles and the shit they go through just to get a story out the door tends to make me sympathize with them more. Sometimes a story just doesn't turn out as well as you'd hoped, but you're on a tight deadline and all you can do is move on to the next project. I've even softened a bit on Penders over the years as he's shared more about the absurd situations and odd creative demands made behind the scenes at Archie. Unfortunately, not everyone has that mindset.

Ian's basically always had obsessive haters who were eager to take everything he says out of context to try and stir up shit, but that used to be contained by the niche nature of the Archie comics. Most of the fandom didn't give a shit about what Ian was doing with Sonic and Sally's love life or whatever. Most of the fandom wasn't even reading those comics. But Ian's gone from being a writer for a non-canon spinoff comic, to being the initial lead writer for the first ever canon Sonic comic series, to being the new main writer for the games themselves as part of the official Sonic Lore Team. Way more Sonic fans care about his work now, and when he's so open about his work that makes him an easy scapegoat.

It feels like damn near every week on Twitter Ian's personal trolls have posted yet another BumbleKast clip out of context to rile up the fandom and make it look like he has no idea what he's talking about or like he has some kind of agenda. And, unfortunately, people often fall for this. Of course, it also goes the other way, with people more sympathetic towards Ian taking things he says about Sega and framing them as proof that Sega has no idea what they're doing with the brand. Which, well, let's be real, isn't always the most unreasonable thing to think, given Sonic's rocky history. But I'm surprised it took this long for Sega to start paying more attention to what gets said on the BumbleKast when fans use it so regularly as a source of drama.

I've also often felt that they just need to be WAY more selective about what messages they respond to on the show. Questions Ian can't actually answer due to NDAs, questions that are borderline incomprehensible, "questions" that are really just fan ideas. And the haters, oh, the haters. Ian does not need to put up with angry rants about how he should make SonAmy canon or what the fuck ever. Even if Ian's willing to put up with it, as a listener it can make the show just super unpleasant at times when someone aggressive pops up with an inflammatory question. There have been entire BumbleKast Mini episodes I had to skip because they were just obsessive critics of Ian's paying to grill him on a dozen different things and treat him like an idiot.

But at the same time, I get why the show got to be this way. It's become a part-time job for Ian with multiple new episode a week. Given how piss poor the pay tends to be for freelance writers, I can't really blame him for wanting to keep this secondary stream of income open, and to not have to refund people left and right for rejecting their questions. The man's got bills to pay. (And so does Kyle, for whom managing the BumbleKast seems to have become a full-time job.)

I dunno. The man's got the patience of a fucking saint. I would've quit the franchise if I was in his shoes, with people wishing he would die for shit like minor disagreements over Sonic's characterization or him misremembering an obscure old lore thing. While I do hope that Sega doesn't keep too tight of a leash on him moving forward, and I hope that he's still able to speak his mind about his work, part of me also hopes that having to be much more selective about Sonic questions results in less bullshit like this.

[cuckoo-on-a-string]

"Appropriate" responses to the Gaiman issue

TLDR: This isn't a Rowling situation, be wary of internalized purity culture.

He's a predator. I'm glad a proper journalist followed up where police have failed (and possibly given victims a better footing for future charges).

But I have a problem with the knee-jerk responses targeting the fandom.

Just to clarify, I'm not talking about insulting The Predator. This is about how you treat people who have/do/will enjoy the stories that unfortunately came into the world through his keyboard.

Fans aren't intrinsically evil/uncaring for continuing to participate in associated fandoms.

This is not another Rowling situation. Why? Let me clarify. The consequences of consumption are very different. Rowling is ACTIVELY using her popularity and income as a creative to target one of the most vulnerable minorities in the world. Buying official merch/books/movie tickets prove to the powers that be that she remains a good investment, so they'll give her even more money. This perpetuates the cycle - new movie/book deals, more income, more hate, rinse and repeat.

The push to avoid Rowling's work in full is driven by the fact that she has FACED NO CONSEQUENCES and is still powered by her creative properties. It's fandom/consumers trying to bring justice.

Gaiman, on the other hand, knew he was doing bad shit on some level because he kept his abuse hidden. His status and reputation let him get close to vulnerable fans and essentially intimidate authorities from going after a celebrity. He is FACING CONSEQUENCES. I would personally like to see criminal charges brought against him, but that's out of the fandom's hands. Things we could've influenced (his Disney deal appears to have gone to shit, he's been booted from the truncated final season of GO, and there's no news on Sandman 3) are already in motion. If his publisher doesn't drop him, I'd say avoiding his future works is beyond valid (I certainly wouldn't buy them). But I'm going to watch the new season of Sandman. And once I've taken time away, I'll probably finish my active fics.

"Judging" people who still enjoy his work stems from good intentions that grew out of the fetid ground of purity culture rhetoric.

Writing fanfic and enjoying shows that are already made do not make people soulless accomplices. The idea that unproblematic stories by saintly creators are the only things you're allowed to enjoy is not only flirting with censorship, but it's also impossible.

If you think people should have nothing to do with Gaiman's works, you better throw out anything Weinstein touched. That includes Jackson's LOTR trilogy, FYI. Also, anything his company officially produced (which still gives him money in some cases) should never, ever grace your screen. That includes some of the better Stephen King adaptations, The Orphanage (which was a breakthrough Spanish-language film in Western markets), The King's Speech, The Imitation Game, Woman in Gold, Paddington, and It Follows.

If you aren't willing to publicly announce your "disappointment" in anyone who continues to enjoy any of those films, then kicking up a fuss over how other people process and interact with problematic content from a fallen celebrity who is in the process of getting his dues is pure hypocrisy.

Personally, I'm maliciously complying with Gaiman's famous quote about how once a story is out there, it doesn't belong to the author anymore. Well said, Predator, these are mine now, and I shall fuck about with them as I see fit.

Attacking or snobbishly looking down your nose at the fandom also erases YEARS of beautiful critique and thoughtful exploration of existing, acknowledged problems in works like The Sandman.

People in these parts already know how to handle complex issues in complex pieces of media. Gaiman isn't our god. His canon is not our bible. He didn't teach us morality, as is apparently the case for a lot of people who grew up reading Rowling's works as a child.

If you have a problem with the censorship comment I made, I'd like to point out at least one writer friend is LEANING INTO the fandom as a way to process their own trauma. Suffice it to say they survived a very similar situation. They see it as empowering to take the stories away from the abuser and use the characters/settings to make something new.

I get the ick. I have it right now. But I'm not burning every copy of his work I own (full disclosure I have... *checks shelves* a copy of Neverwhere and The Sandman series). Doing so is totally valid, and if that helps you process and feel better - go for it!

But this is not the same as Rowling and the only ones you hurt by declaring your "judgement" is a complex group of individuals who are able to enjoy fiction, remain aware of potential social consequences, and found a place that doesn't align with your black/white morality.

With that said, judge away! I better not see any stories from Charles Dickens, anything in anyway associated with the Weinsteins, Nickelodeon shows, Charlie Chaplin references, or Francis Ford Coppola films touch your feed. If you scratch the surface, you'll find more things to judge others for enjoying, and they will inevitably find something to judge you for, too.

[drchucktingle]

As an autistic person, did you struggle to make and keep friends? And have you found friends through the writing world? I ask because my mom always said i needed to find my people. I did finally find them (they are neurodiverse trans nerds, haha), but not until i was like 30. And i wonder if its true of other autistic people too. So i guess my question is: did you find your people, and when?

thank you this is good question. i have always had a LOT of CLOSE BUDS even from a very young age. i would actually say that i am unusually socially adept in my way and that it is partially BECAUSE of my autistic trot. LETS TALK ON THAT FOR A MOMENT

'BUT CHUCK YOU SAID YOU ARE ON THE SPECTRUM AND AUTISTIC BUCKAROOS CANNOT BE SOCIALLY ADEPT' some say. and sure it is UNUSUAL overall, technically speaking, but there is also an important reason we talk about this as a spectrum of buckaroos and not a monolith

when buckaroos ask me what it is like to be autistic i try to explain like this: there are certain cues and markers from the outside that serve as a sort of identification checklist but because of masking they are not always correct. instead i see it as question of WHAT IS IT LIKE INSIDE YOUR BRAIN?

internally my brain is different. its taking in way more information all the time, including the stuff that neurotypical buds block out, and that can become overwhelming. it is hard to navigate because i do not have that automatic neurotypical 'here is what is important here is what is not' function

so yes i can be easily distracted and zone out as i watch the patterns and fractals spin off. and yes i can miss certain things in social situations. in many autistic buckaroos this makes large groups overwhelming and the OUTPUT of behavior matches what we typically know as signs of autism

FOR ME however, same thing is going on inside, but i have managed to HARNESS that information. even from very young age i see that everyone is DOING THE HUMAN ACT but instead of rejecting that and shutting off i think 'well okay i am just going to do THIS because thats what they actually want'

in other words, most neurotypical buds say one thing that has a kind of spiraling social-cue-related OTHER MEETING (they do this ALL the time) and instead of rejecting that i have trained myself to be REALLY REALLY good at knowing the hidden meaning. it is EMPATHY but on a sort of LOGIC BASED level

and because i have always been pretty good at that, people like to trot around me and say 'wow this is a good friend they understand me'. now for ME that can be a little exhausting and there are things i need to do and stims and all that to release the effort, but overall it is worth it to me

OTHER THING is that i was a successful CREATOR AND ARTIST BUCKAROO from an early age which is socially seen as 'cool' especially when you are trotting around in your youth. it is not particularly FAIR but it is true that some level of fame makes buds treat you well even if you are 'weird'.

of course it can be a sort of FAKE 'treating you well' but as an autistic buckaroo it is still more of a chance than you might otherwise get. this timeline has sort of carved out a very special little sliver of social grace for the token odd artistic weirdo to have a seat at each cool kids table

ANYWAY that is the trot of my life. it is a unique trot that i dont get to talk on much but since you asked THERE YOU GO. every chance i get to say 'I LOVE BEING AUTISTIC' and talk on HOW MUCH IT HAS IMPROVED MY LIFE i try to take a moment and do that. when i was young i had few autistic heroes

and OF COURSE it can be difficult and overwhelming and we need to have space for those stories and voices, but i want young buckaroos who get this diagnosis to know there are ALL KINDS of stories and trots on the autism spectrum. MINE IS PRETTY DANG COOL and maybe yours will be too. LOVE IS REAL

[orfisheus]

The Problem With the Eddsworld Fandom's Depictions of Red Leader/Future Tord, A Disabled Perspective

Disability is a contentious concept for most of society, with most either treating us with disgust, confusion, refusing to treat us as human, or to see our struggles as what they are. Ableism affects all people in many different ways, but as someone who focuses a lot of my energy in fandom spaces, the pervasiveness of ableism with how media and their fans interpet and react to disabled characters is a very personal situation for me. While many may argue that an ignorance to these topics in fiction has little bearing on real life, the prevalance of these tropes have echoed and led to feelings of othering for many disabled people, and oftentimes support the same notions that lead to the day-to-day ableism in our own personal lives.

In recent years, I have experienced this most often with the prevalance of negative disability tropes perpetrated by fanfiction surrounding the character of Tord, also known under the alias of Red Leader in some fanworks. It is a problem not just common in the Eddsworld fandom. A more recent, and much larger fandom in Mouthwashing also shares a common trend of repeated ableism in fan depictions and interpretarions of disabled characters. Most fan creators are unaware of these tropes and the harm that they cause, but as a disabled person, I am unable to ignore it.

For context on myself, you can call me Fish. Get it? Or"fish"eus? I like to think I'm funny. I am a mentally ill, disabled, and neurodivergent creative who has niche interests in representation in media and the intersection of intersectionality and fandom spaces. I experience chronic pain due to a multitude of conditions, all of which are invisible disabilities. I am NOT an amputee or have a facial difference, like the character I am analyzing. I can only speak based on my own research in my attempts to portray him positively, but I want to mainly focus on the ableist tropes I see and the real life effects they have. That is something I CAN focus on, because I've been dealing with it for years from conditions that came onset later in my life. I will be speaking from that perspective, but will be doing my best to try to educate on what I do know from my research to help authors, artists, and creatives create a better portrayal of him in fanworks.

The most common tropes I see with him are what I will call "The Disabled Villain", "The Innacurate Disability", and "The Ignored Disability". There are a few tropes in each, but for ease of organization (and the sake of your (and my) time), I will be talking about them together in these sections. There are also overlaps in many, but I will define the main issues with them.

The Disabled Villain

James Bond, Wonder Woman, The Witches. You name it. You have most likely seen this trope at work in cinema. A malicious evil-doer is revealed to have a "horrid" face symbolic of the true evil within their soul, while the beautiful, able-bodied hero is meant to stop them. It's a trope as old as time, one that goes back to even Plato. Tropes are tropes, people subvert them, so a few cases down the line may be excusable. But that has not been the case For many years, the most prevalent form of representation for disabled people was in these villains. Imagine if the only representation you had for yourself was narratives surrounding how the way you look or what your disability is and have it only be equated to evil people. It leads to a villainization of disabled people. People react to facial differences with disgust, because they are "shown" that it is "evil", or "ugly", or equal to being a horrible person. As stated by The Nora Project, "According to the book Disabilities: Insights from Across Fields and Around the World, disabled students are two to three times more likely to be bullied in comparison to their nondisabled classmates. The disabled villain trope contributes to this phenomenon in overt and subtle ways. For example, the trope implicitly encourages fear of disability and difference, while validating, and even elevating, those who fight against the evil, Disabled Villain. Bullying based on fear and disdain is almost a natural consequence of the trope when viewed in this light". Another big issue is that disabled characters have not been given space to exist outside of villainy. There are not many complex narratives surrounding them. This leads to our disabilities being downplayed, us being dehumanised, and we are seen more like props in real life, or simply tools to achieve a message in a narrative.

Tord's disability is never explicitly shown in the show. It is something more prevalent in Fanon, specifically in fanworks that focus on the "Future" era of the show's timeline, where the narrative and outside discussions on the show implies a high tech society, potentially dystopian, potentially a consequence of his actions. These ideas have taken a life of their own in the fandom, with many creators fully expressing these ideas. The problem arises when Red Leader falls in line with this trope. In many works, he is the sole disabled character, a figure of pure evil, or given little nuance in the narrative. Artists illustrate his scars as bright red, crimson, or, in TBATF, green. For some reason. In this way, they attempt to highlight the villainy by equating him with common symbols of evil: facial differences and disabilities. Unfortunately, these are not just symbols. These are conditions and scars that real people have, which the fandom tends to ignore in favor of dramatization.

This was a trope I most commonly saw explored in fanfiction when I first joined in 2016/17. The show, unfortunately, subtly and accidentally perpetrated it by having the only character visibly and irreparably "damaged" by the giant robot fight be Tord, despite the fact that Tom, who had a whole missile directed at him and got buried under a house, was fine with at most a leg injury and a cut on his arm. Luckily, we have grown past the need for ableist tropes, and the faults of the show can be left in the past!

... Not.

Disability tropes have simply evolved in how the fandom treats Tord. Even if it is now done with more consciousness and sympathy towards his character, ignorance still prevails. Let's talk about common pitfalls people fall into when writing him.

The Inaccurate Disability

In fanon perception, Red Leader is an amputee with a high tech prosthesis and a facial difference resulting from burn scars. Like many disabled characters, he suffers from a collective fandom lack of research. But never fret! That is what I have subjected myself to for the past four years, so your friendly neighborhood disabled Fish can tell you how to right your fandom wrongs! Just kidding! Take this as a pointer, and do your own research.

As is common with fictional prosthetics, his arm prosthetic is treated as a perfect fix for his amputation. It acts just like, if not better than an actual arm. The issue with this is that is isn't realistic. Yes, I know, I'm criticising Eddsworld fanfiction for not being realistic. STAY WITH ME HERE. Once again, if it was one instance, or a few, that explored prosthetics being incredibly functional in science-fiction, then it could be a cool concept. But when every sci-fi work has it, then that is no longer a concept. That is a misconception. And I have interacted with people who believed that prosthetics were 100% functional! The thing is, like all disability aids, it does not suddenly make us able-bodied. For example, I have ear defenders that I wear when I experience pain within my ears. But that does not mean my hearing will now become normal, and I will no longer experience pain from the sound I'm hearing. What WILL happen is that I will straight up not hear you. Like, literally. Can you repeat that? I had my ear defenders on. Oh, you're saying that my ear defenders aren't prosthetics and are not a fair comparison? Well, that's fair, but take this as an illustration of a disability aid and how they differ from able-bodied experiences. Also, many prosthetic users do many things without their prostheses, and some even prefer NOT to wear them. Blogs that explicitly cover disabled representation, such as @/cripplecharacters, have posts that cover WHY many amputees are not fans of this trope. The problem comes with that it erases disability, and yet also treats us like we are given a space at the table of representation. It's just another way that authors avoid actually doing research.

Other things that people tend to ignore are how burn scars, or any scars, would not only appear on a character, but also affect them. I have seen, aside from skin tones that looked like they were picked out of a crayon box instead of what would appear on a person, teeth exposed, wounds that look as if they are fresh from the explosion YEARS after they occurred, and what I like to call "paper shredder" scars. Because instead of them looking like burn or shrapnel scars, it appears as if his skin was put through a shredder. Once again, another consequence of the show's at most-30 second scene with questionable decisions that made massive ripples in the fandom. With the injuries Tord received, it is most likely that he would have two kinds of injuries: a burn on 18% of his body (minimum, based on rule of 9s), and/or shrapnel scars from debris. While shrapnel scars would manifest as darker scars, the burn scar would likely be a hypertrophic scar, as "70% of patients develop hypertrophic scars following burns" (Finnerty et. al). The scars, when healed, are warm toned on the boundaries of their areas and cool in between. When on a pale skintone, they are not too dissimilar, and would therefore not have such a drastic color difference as seen on skin. They would also not go down to the bone or skin, as that would be a completely different kind of injury, and are also commonly done to make him look "scarier", which then aids the Disabled Villain trope. It also treats these scars and injuries more like a work of fiction, rather than something that many real people have experienced, adding to continuous misinterpretations of real life disabilities and facial differences.

For writers wanting to include consequences of burns, what would be more likely to be affected are his hearing, vision, and nerves on the right side of his face, as burn scars can go as deep as nerve endings. Also, burn scars, especially third degree burns, require treatments, such as burn-specific skincare. Scars, especially burn scars, can affect you and become disabling. For artists, the main thing I don't see artists do is draw him with damaged hair follicles. Burn scars damage the scalp and eyebrows, preventing hair growth. I am sorry, but he would not still have fluffy, luscious hair. Do not kill me. He just wouldn't. And if you are saying that he had it in the show, I can't hear you because my ear defenders are on, but I hope you heard me, as we've gone over that the show is inaccurate and we should do our own research.

Even well intentioned authors and artists ignore many aspects of the disabilities he would likely have!

Which brings us to the last trope...

The Ignored Disability

Many well meaning people intend to give him nuance by trying to avoid the Disabled Villain trope. Accidentally, however, they end up completely ignoring his disabilities instead.

Just like the high-tech prosthetic, the real disabling aspects of having a disability are at best rarely mentioned. I have seen, in some fanworks, that he goes straight from amputation to having a prosthetic. And that is where his disability ends. Because the prosthetic ends up being a fix-all situation. Authors refuse, or forget, to include aspects of amputation, such as the healing process, stump or phantom pain. Artists will cover up his scars with a helmet or a mask, another trope that undermines his disabilities and attempts to brush it under the rug. I understand that there is a discomfort for able-bodied authors in thoroughly exploring how a character feels about their disability. That is something I think we should. Avoid. If you're not familiar with the experience of being that minority, you do not need to add commentary on it. And if you do, and it just falls into more negative tropes, I will send a salmon cannon at you (/j). However, I do not agree with brushing every disabling aspect of his life under the rug.

People can assume it's not a problem, like it isn't something blatantly apparent. But, if you assume that disability and being disabled is not a "big thing", you end up where your medication is denied because your insurance refuses to see your common procedure as not a necessary medical intervention because you're "too young". And that is not fiction. That is what inspired me to write this essay, because the day that I got that news was the same day I sat down and told myself that I needed to share my perspective on the perception of disabled characters by honing in on one of my favorite characters and how the fandom treated him.

Disabled characters deserve to be included in media, disability and all, with care given to how their life would operate as a result and what they would experience with their specific disability. That's why many people recommend sensitivity readers who can give proper insight upon that disability and can advise people to properly portray it.

But if you cannot afford or access that resource, what can you do?

Fish's Non-Cohesive List of Ways I Tried to Write Tord as a Non-Amputee Without a Facial Difference

Do research!! The more you are to try to understand what you are writing about, the less you are to misinterpret or misrepresent it.

Look into resources that focus on portraying disabled characters, especially with those you wish to write about. Read blogs, research tropes that are common in disabled characters, and hell, read medical journals. They can provide great insight (<< nerd who likes reading medical journals)

Include more disabled characters. Make the other boys be disabled! Want to be canon compliant? Create OCs who have disabilities! I have a bunch! It's 2024! Be cringe and be free! The character's disability would go against the traditional narrative form of "usefulness"? I'm an animator who can't wear headphones and a theatre performer who can't physically handle the volume of a band. And yet, we find ways to persist, to exist. We will always find our way to live in the way we want to, in whatever way we can.

Look into disability activism. Learn the difference between the Medical Model and Social Model of disability. Know what an invisible disability is. Listen to us when we say that we don't want to be treated as special or an inspiration for simply living (inspiration porn). The more you are aware of what we struggle in real life, the more aware you will be to not repeat those mistakes in your fiction.

Write what you can. Highlight little talked about aspects of having a burn scar or being an amputee, such as the recovery, or treatment for the chronic pain, or how different he would be in battle due to decreased depth perception. As a disabled author, I have personally touched on the experience of gaining a disability later in life, and how he copes with it. Now, not all of y'all can do that. But that is a personal experience I do have, and it is something I have highlighted in my own work. So, while I couldn't tell you the ins and outs of having a burn scar or a prosthetic arm, I could describe the shock and frustration that comes with suddenly experiencing difficulties, or even being unable to do what you had done before.

I ask that, if you are willing to do better, or to start on the right foot, you take what I have written, reflect on it, and treat disabled characters, and in turn, disabled people, better from here on out.

Fiction is not reality, but the way we deal with it is reflective of who we are and what we believe. The boundary for our own personal being does not suddenly stop within fiction. When we interact and interpret it and create for it, it is integral that we remain conscious that bigotry runs rampant, albeit often as an unseen force, within fandom spaces, and do our best to counteract that.

I have doubts that the new eddisode will treat this topic with the same respect. I hope you can all go forward with what you have read in this WAY LONGER than I expected essay, and do what those grown British men cannot. Even if they erase it, retconn it, or do not treat it with respect, let's all go forward and do better!

As for always, you can discuss more in the tags or my inbox!

I hope you have a wonderful life,

Fish

[writingwithcolor]

Black woman’s skin turns blue from powers; is this whitewashing/erasure?

Anonymous asked:

I have a character in a comic I'm hoping to write one day. She's a light skinned black woman(she's half white if that helps!) living in New York City during an 80s themed post nuclear apocalypse. The comic's main characters are all rock stars, so a lot of the character design elements revolve around the different rock genres. The character in question is in a glam rock band, so there's lots of bright, saturated, crazy colors involved in her design. The problem I'm having involves this one story beat where she gets mutant superpowers that give her electricity and sound based abilities. Her skin turns cotton candy blue as a result of the mutation. I'm hung up on whether or not this might fall under some kind of skin lightening or white-washing trope since it's a fairly light shade of blue. I designed her mutant look before her human look, so this was well before I'd even figured out what race she was, and I simply thought the shade of blue would compliment both the electricity powers and the fact that her hair is dyed pink. Is there a way I could still make this work? Or am I worrying about nothing?

Ideally, it would be nice to keep her brown skin tone. There’s a common comic and supernatural trend where Black people’s skin is covered up by a suit or Black-coded characters are an unnatural color (blue, green, purple, etc).

This is more of an issue when: 

There are no other Black characters of those identities besides the covered up/ ones with unnatural skin colors.

The creator adds this change to make them "special" because they do not believe Black characters, with features commonly associated with Black people like dark hair, skin and eyes, are acceptable enough for the character to stand on their own.

The supernatural special Black people are treated well by the story. The "non-special" Black people have unhappy stories and misfortune.

Other races of characters do not get their skin covered up or changed. Only the Black ones and/or BIPOC in general.

I think a quick fix for this would be for her skin to turn blue when she’s actively using her powers, at random, or other specific times, besides constantly. If she needs to be more consistently “mutant looking” Are there other ways she could change without her skin color changing or changing completely?

People with glitter on skin, light surrounding their face, and blue braids. Images from pexels.

More ideas that keep her skin brown

Hair

Her hair color changes blue or your color of choice (which could include body hair too, which would give her a more “otherworldly” appearance).

Note: If her hair is curly or natural, please keep it so! At least, the powers shouldn't change it straight.

Eyes

Her eyes glowing brighter or colorfully during power-use.

Note: If they're usually brown, they could stay brown when powers not in use, like Marvel's Storm in some versions.

Storm by Marvel Entertainment//20th Century Studios.

Skin and body

Blue patterns appear on her skin.

Blue glow or sheen to her skin without fully changing the color.

Her skin projects color and light.

New growths or changes to body, such as ear shape, wings, etc.

No matter what you decide, please make clear in your tale that she’s a Black mixed race woman. And have fun!

More reading:

How Special is Too Special? The Politics and Characterization of Stacking Special/Abnormal Traits on Mixed Race Characters

~Colette